1 00:00:14,714 --> 00:00:16,483 [WOMAN] I'M A GREAT ACTRESS. 2 00:00:16,516 --> 00:00:18,284 I'M A GREAT ACTRESS. 3 00:00:18,318 --> 00:00:19,519 I AM A GREAT ACTRESS. 4 00:00:32,399 --> 00:00:33,433 [WOMAN ALL RIGHT, SO NEXT 5 00:00:33,466 --> 00:00:36,369 IS JULES JENSON. 6 00:00:37,671 --> 00:00:39,239 HEY. 7 00:00:43,209 --> 00:00:48,214 [SHOES TAPPING] 8 00:00:51,151 --> 00:00:52,719 JUST... STOP. 9 00:00:52,752 --> 00:00:54,621 THAT'S... YEAH, STOP. SORRY. 10 00:00:54,654 --> 00:00:56,489 WELL, SEE, I KNOW YOU'RE ALSO CASTING 11 00:00:56,523 --> 00:00:58,291 DISNEY'S NEW MUSICAL MOVIE. SO I THOUGHT-- 12 00:00:58,324 --> 00:00:59,459 DO YOU KNOW THE LYRICAL PIECE? 13 00:00:59,492 --> 00:01:00,694 YEP. 14 00:01:07,467 --> 00:01:11,604 [MUSIC PLAYS] 15 00:01:11,638 --> 00:01:14,474 SORRY, WILL YOU DEMONSTRATE THE CHOREOGRAPHY REAL QUICK? 16 00:01:14,507 --> 00:01:17,510 I'M JUST, I'M HAVING TROUBLE REMEMBERING HOW IT STARTS. 17 00:01:17,544 --> 00:01:20,280 LET'S, YEP. 18 00:01:20,313 --> 00:01:21,414 THANKS, OLIVIA. 19 00:01:41,267 --> 00:01:43,636 GOT IT, YEP. THAT'S WHAT I REMEMBERED, THANK YOU. 20 00:02:01,421 --> 00:02:03,423 AND THANK YOU, YEP. 21 00:02:03,456 --> 00:02:05,258 THAT'S... 22 00:02:05,291 --> 00:02:06,726 THANK YOU. 23 00:02:06,760 --> 00:02:09,529 UMM... 24 00:02:09,562 --> 00:02:12,632 CAN YOU... CAN YOU PLEASE JUST FREESTYLE FOR US? 25 00:02:12,665 --> 00:02:13,800 YES. 26 00:02:13,833 --> 00:02:16,269 ALL RIGHT. 27 00:02:16,302 --> 00:02:17,270 [UPBEAT MUSIC PLAYS] 28 00:02:17,303 --> 00:02:18,438 [FINGERS SNAPPING] 29 00:02:26,279 --> 00:02:27,380 ALL RIGHT, NOPE. YOU KNOW WHAT, 30 00:02:27,414 --> 00:02:28,748 THAT'S ENOUGH. THANK YOU. 31 00:02:36,523 --> 00:02:39,292 MICHAELA, MY LOGIC WASN'T COMPLETELY BAD. 32 00:02:39,325 --> 00:02:40,627 I MEAN, SHE IS CASTING 33 00:02:40,660 --> 00:02:42,429 DISNEY'S NEW MUSICAL MOVIE, RIGHT NOW. 34 00:02:42,462 --> 00:02:44,297 BUT THIS AUDITION WASN'T FOR THAT. 35 00:02:44,330 --> 00:02:45,999 OKAY, WHAT I THINK IS, IT'S REALLY IMPORTANT 36 00:02:46,032 --> 00:02:47,567 TO CREATE YOUR OWN BREAKS IN THIS BUSINESS. 37 00:02:47,600 --> 00:02:49,302 AND THAT'S WHAT I DID THIS MORNING. 38 00:02:49,336 --> 00:02:52,772 IS I CREATED MY OWN BREAK. 39 00:02:52,806 --> 00:02:54,841 I WASN'T TOTALLY LYING ABOUT MY DANCE TRAINING. 40 00:02:54,874 --> 00:02:56,710 I DID DO MUSICAL THEATER AT MY OLD CHILD-- 41 00:02:56,743 --> 00:03:00,447 JULES, YOU'VE HAD ONE JOB IN THREE YEARS. 42 00:03:00,480 --> 00:03:01,614 OKAY? IN A PLAY. 43 00:03:01,648 --> 00:03:04,551 BUT I JUST DID THE PLAY. 44 00:03:04,584 --> 00:03:07,454 SO WHO KNOWS WHAT'S GONNA HAPPEN NOW. 45 00:03:07,487 --> 00:03:11,424 I THINK IT'S TIME YOU DO SOMETHING ELSE. 46 00:03:11,458 --> 00:03:13,360 WELL-- THAT'S SILLY. 47 00:03:13,393 --> 00:03:15,428 'CAUSE I'M AN ACTRESS AND THAT'S WHAT I DO. 48 00:03:15,462 --> 00:03:16,830 I'M LETTING YOU GO. 49 00:03:21,401 --> 00:03:23,603 [RECORDING] FIRST MESSAGE. 50 00:03:23,636 --> 00:03:26,339 [WOMAN ON PHONE] HI, HONEY, I JUST HAD THE BEST IDEA FOR OUR BIRTHDAY PARTY. 51 00:03:26,373 --> 00:03:28,274 YOUR TABLES WILL HAVE 30 PINK ROSES, 52 00:03:28,308 --> 00:03:31,344 AND MY TABLES WITH HAVE 60 RED ROSES, ISN'T IT CUTE? 53 00:03:31,378 --> 00:03:33,613 NOW CALL ME, WE'RE TWO WEEKS OUT. 54 00:03:33,646 --> 00:03:35,815 -[RECORDING] SECOND MESSAGE. -[WOMAN ON PHONE] WHAT ARE YOU DOING TODAY? 55 00:03:35,849 --> 00:03:38,318 I HAVE TO WORK OUT AT SOME POINT. 56 00:03:38,351 --> 00:03:41,421 I'M UP FOR THIS ACTION FILM WHERE I PUNCH GUYS LIKE THE WHOLE MOVIE. 57 00:03:46,526 --> 00:03:48,495 MM. 58 00:03:48,528 --> 00:03:49,763 [RETCHES] 59 00:03:49,796 --> 00:03:51,498 [GROANS] 60 00:04:02,709 --> 00:04:05,278 [MUSICAL RINGTONE PLAYS] 61 00:04:13,119 --> 00:04:14,721 HI, MOM. 62 00:04:16,790 --> 00:04:18,692 UHH. I KNOW. 63 00:04:18,725 --> 00:04:20,660 I MEANT TO CALL YOU EARLIER. 64 00:04:20,694 --> 00:04:21,795 I FORGOT. 65 00:04:21,828 --> 00:04:26,399 I MADE PLANS ALREADY. 66 00:04:26,433 --> 00:04:29,369 THE AUDITION WAS GOOD. 67 00:04:29,402 --> 00:04:32,739 I HAVE TO GO, THOUGH. CAN I CALL YOU LATER? 68 00:04:32,772 --> 00:04:34,808 LOVE YOU, TOO. 69 00:04:34,841 --> 00:04:37,344 MM. BYE. 70 00:04:38,411 --> 00:04:41,414 UGH. 71 00:04:41,448 --> 00:04:44,718 IF I TOLD MY MOM HOW TODAY REALLY WENT, SHE'D WORRY. 72 00:04:47,153 --> 00:04:49,356 EVEN CATE BLANCHETT AND MERYL STREEP 73 00:04:49,389 --> 00:04:50,924 HAVE BEEN REJECTED. 74 00:04:50,957 --> 00:04:52,692 IN THIS INDUSTRY, ANYTHING CAN HAPPEN. 75 00:04:52,726 --> 00:04:54,627 ONE MINUTE YOU CAN BE A NOBODY, 76 00:04:54,661 --> 00:04:56,563 AND THE NEXT THING YOU KNOW YOU'RE OFF TO VANCOUVER 77 00:04:56,596 --> 00:04:57,931 TO SHOOT A MOVIE. 78 00:04:59,666 --> 00:05:03,570 I AM A GREAT ACTRESS. 79 00:05:03,603 --> 00:05:04,637 THERE ARE TWO KINDS OF PEOPLE, 80 00:05:04,671 --> 00:05:06,706 BELIEVERS AND DREAMERS. 81 00:05:06,740 --> 00:05:08,708 I'M A BELIEVER. 82 00:05:08,742 --> 00:05:10,877 BELIEVERS MAKE THINGS HAPPEN. 83 00:05:16,750 --> 00:05:18,451 [WHINES] 84 00:05:18,485 --> 00:05:19,786 HI, MAXIE. 85 00:05:19,819 --> 00:05:23,390 HI, YOU WANT TO GO ON A WALK? 86 00:05:23,423 --> 00:05:25,625 YEAH. YOU GOTTA GO POO POOS, MAXIE? 87 00:05:31,431 --> 00:05:33,633 -HUH. -HOLLA. 88 00:05:33,667 --> 00:05:35,702 [MAN YELLS] Y'ALL BET-- HOW 'BOUT A FREE DOG? 89 00:05:35,735 --> 00:05:37,771 * DOLLAR HOT DOG 90 00:05:37,804 --> 00:05:39,606 [GIGGLES] 91 00:05:39,639 --> 00:05:41,174 YOU WERE THINKING ABOUT IMPROVISING A TAP DANCE 92 00:05:41,207 --> 00:05:42,409 THAT THEY WEREN'T ASKING FOR. 93 00:05:42,442 --> 00:05:43,576 DID YOU DO IT? 94 00:05:43,610 --> 00:05:45,412 -YEAH. -WHAT? 95 00:05:45,445 --> 00:05:47,180 AND IT WORKED? IT WENT WELL? 96 00:05:47,213 --> 00:05:48,848 -YEAH... -WELL, WHAT DID MICHAELA THINK? 97 00:05:48,882 --> 00:05:50,450 SHE GOTTA BE THRILLED, RIGHT? 98 00:05:50,483 --> 00:05:51,885 YEAH... 99 00:05:51,918 --> 00:05:53,720 JULES, WE HAVE THE SAME MANAGER. 100 00:05:53,753 --> 00:05:55,622 WHY DID YOU ASK IF YOU ALREADY KNEW? 101 00:05:55,655 --> 00:05:56,990 BECAUSE I WANTED TO SEE IF YOU'D STILL LIE TO ME. 102 00:05:57,023 --> 00:05:59,726 AND YOU DID. IT HURTS. 103 00:05:59,759 --> 00:06:01,761 FRIEND. 104 00:06:01,795 --> 00:06:04,764 -I'VE SEEN YOU SHIT YOUR PANTS. -[LAUGHS] 105 00:06:04,798 --> 00:06:06,833 THANK YOU. THANK YOU. 106 00:06:06,866 --> 00:06:08,601 YEP, THAT WAS A PROUD MOMENT. 107 00:06:08,635 --> 00:06:10,670 -AND I HAD IBS... -UH-HUH. 108 00:06:10,704 --> 00:06:14,641 IT WAS A TERRIBLE TIME MY STOMACH WAS HURT ALL THE TIME. 109 00:06:14,674 --> 00:06:15,909 I COULDN'T CONTROL IT. 110 00:06:15,942 --> 00:06:17,877 OKAY. I'M NOT HERE TO JUDGE. 111 00:06:17,911 --> 00:06:19,512 MY POINT IS JUST DON'T LIE TO ME, OKAY? 112 00:06:19,546 --> 00:06:20,747 -I'M SORRY. -PROMISE? 113 00:06:20,780 --> 00:06:22,415 I REALLY AM, YES. 114 00:06:43,570 --> 00:06:45,672 [INSTRUCTOR] COME HIGH ON TO THE BALLS OF YOUR FEET. 115 00:06:45,705 --> 00:06:47,640 BEND YOUR KNEES, COME DOWN AT LEAST A THIRD OF THE WAY 116 00:06:47,674 --> 00:06:48,808 FROM WHERE YOU STARTED. 117 00:06:48,842 --> 00:06:51,011 COME DOWN AN INCH. AND UP AN INCH. 118 00:06:51,044 --> 00:06:54,781 DOWN AND UP. CONTINUE. 119 00:06:54,814 --> 00:06:57,617 PULL YOUR ABDOMINALS IN. 120 00:06:57,650 --> 00:07:00,553 MARA, THAT LOOKS BEAUTIFUL, NICE DEPTH. 121 00:07:00,587 --> 00:07:03,690 JULES, UP RIGHT YOUR SPINE AND DROP YOUR TAILBONE A LITTLE MORE. 122 00:07:03,723 --> 00:07:05,692 EVEN A LITTLE MORE. KEEP YOUR HEELS HIGH. 123 00:07:05,725 --> 00:07:07,827 STAY IN IT. BEND DOWN A LITTLE FASTER. 124 00:07:07,861 --> 00:07:09,996 DOWN ONE, TWO. LAST TEN. 125 00:07:10,030 --> 00:07:11,831 THREE, FOUR. STAY IN IT. 126 00:07:11,865 --> 00:07:13,566 FIVE, YOU GOT IT. SIX. 127 00:07:13,600 --> 00:07:16,102 DOWN SEVEN. EIGHT. NINE. 128 00:07:16,136 --> 00:07:17,570 RELEASE, YOU'RE DONE. 129 00:07:17,604 --> 00:07:18,772 -AHH. -GREAT WORK. 130 00:07:18,805 --> 00:07:19,973 FANTASTIC WORK, EVERYONE. 131 00:07:20,006 --> 00:07:21,708 THAT HURTS. 132 00:07:21,741 --> 00:07:24,110 OH, MY GOD, MY STOMACH HURTS BAD. 133 00:07:24,144 --> 00:07:26,046 OWW. 134 00:07:26,079 --> 00:07:28,581 [SIGHS] DO YOU FEEL LIKE YOU'RE GONNA DIE? 135 00:07:28,615 --> 00:07:29,983 -ARE YOU TALKING TO ME? -YEAH. 136 00:07:30,016 --> 00:07:31,584 -WHAT? -DO YOU HAVE WATER? 137 00:07:31,618 --> 00:07:32,886 NO. 138 00:07:38,658 --> 00:07:39,926 RICK'S NOT HERE. 139 00:07:42,896 --> 00:07:44,664 THANK YOU FOR PAYING FOR THE CLASS. 140 00:07:44,698 --> 00:07:47,667 BABE, YOU DON'T HAVE TO THANK ME. 141 00:07:47,701 --> 00:07:49,302 MM. 142 00:07:49,336 --> 00:07:50,704 SO... 143 00:07:50,737 --> 00:07:52,138 NEW YORK WAS GOOD? 144 00:07:52,172 --> 00:07:54,841 OKAY, APPARENTLY WOODY ALLEN IS LIKE OBSESSED WITH ME 145 00:07:54,874 --> 00:07:56,810 AND RICK IS SURE HE'S GONNA PUT ME IN HIS NEXT FILM. 146 00:07:56,843 --> 00:07:58,578 THAT'S SO AWESOME. 147 00:07:58,611 --> 00:08:00,847 WHAT'S UP WITH YOU? 148 00:08:00,880 --> 00:08:04,617 I'M LOOKING FOR A NEW AGENT. 149 00:08:04,651 --> 00:08:05,685 MICHAELA DROPPED ME, 150 00:08:05,719 --> 00:08:06,686 BUT I WAS GONNA LEAVE HER ANYWAY 151 00:08:06,720 --> 00:08:08,088 SO IT'S A GOOD THING. 152 00:08:08,121 --> 00:08:09,756 OKAY, SO YOU SHOULD TOTALLY COME 153 00:08:09,789 --> 00:08:10,757 TO RICK'S BIRTHDAY PARTY TOMORROW NIGHT. 154 00:08:10,790 --> 00:08:12,859 RICK HATES ME. 155 00:08:12,892 --> 00:08:15,795 HE ALWAYS FORGETS THAT HE'S MET ME BEFORE, IT'S EMBARRASSING. 156 00:08:15,829 --> 00:08:18,331 JULES, THAT'S NOT TRUE. AND HE'S CHANGED. 157 00:08:18,365 --> 00:08:21,001 OKAY, I MEAN, I'M BASICALLY LIVING WITH HIM NOW. 158 00:08:21,034 --> 00:08:22,836 YOU KNOW? IT'S LIKE I'VE REBOOTED HIS HEART. 159 00:08:22,869 --> 00:08:25,739 I'LL JUST HAVE HIM TAKE A MEETING WITH YOU. 160 00:08:25,772 --> 00:08:28,141 WELL, I CAN DO IT MYSELF. YOU HELP ME SO MUCH. 161 00:08:28,174 --> 00:08:29,909 WILL YOU STOP THAT? 162 00:08:29,943 --> 00:08:31,678 ALL I'M DOING IS GETTING YOU INTO HIS OFFICE. 163 00:08:31,711 --> 00:08:34,080 YOU'RE GONNA HAVE TO DO THE REST. 164 00:08:34,114 --> 00:08:35,081 THANK YOU. 165 00:08:35,115 --> 00:08:38,084 [PHONE WHISTLES] 166 00:08:38,118 --> 00:08:39,853 OKAY, DID I TELL YOU LENA DUNHAM STARTED 167 00:08:39,886 --> 00:08:41,087 FOLLOWING ME ON TWITTER? 168 00:08:41,121 --> 00:08:44,858 SHE HAS LIKE 1.4 MILLION TWITTER FOLLOWERS. 169 00:08:44,891 --> 00:08:47,160 HOW MANY PEOPLE ARE FOLLOWING YOU? 170 00:08:47,193 --> 00:08:48,695 14. 171 00:08:49,863 --> 00:08:51,998 I'LL CERTAINLY CONSIDER IT. 172 00:08:52,032 --> 00:08:53,667 THAT'S LOVELY. 173 00:08:53,700 --> 00:08:55,669 YEAH, THANK YOU, PETER. 174 00:08:55,702 --> 00:08:57,003 BYE. 175 00:08:57,037 --> 00:08:58,738 HEY. 176 00:08:58,772 --> 00:09:00,707 PETER GOODMAN WANTS ME TO BE A JUDGE 177 00:09:00,740 --> 00:09:03,743 ON HIS NEW AandE SHOW ABOUT GROUNDBREAKING PAINTERS. 178 00:09:03,777 --> 00:09:06,946 AH, OH, MY GOD. 179 00:09:06,980 --> 00:09:09,082 YOU'RE GONNA BE ON TV? 180 00:09:09,115 --> 00:09:10,950 I'VE NEVER BEEN ON TV AND I'M AN ACTRESS. 181 00:09:10,984 --> 00:09:12,886 -AH! -WELL, NOTHING'S FINAL YET. 182 00:09:12,919 --> 00:09:14,020 WOULD THAT BOTHER YOU? 183 00:09:14,054 --> 00:09:15,922 NO. IT'S AWESOME. 184 00:09:15,955 --> 00:09:17,190 GREAT. 185 00:09:17,223 --> 00:09:18,591 COME HERE, I WANT TO SHOW YOU SOMETHING. 186 00:09:21,227 --> 00:09:23,129 THAT'S NEW. 187 00:09:23,163 --> 00:09:25,665 I FOUND THIS LOVELY FEMALE ARTIST, 188 00:09:25,699 --> 00:09:26,966 AMERICA MARTIN. 189 00:09:27,000 --> 00:09:29,969 I CAN'T WAIT FOR YOU TO MEET HER. 190 00:09:30,003 --> 00:09:32,205 ARE YOU UPSET ABOUT THE TV THING? 191 00:09:32,238 --> 00:09:34,074 NO. I'M... 192 00:09:34,107 --> 00:09:37,777 NOTHING, MOM. IT'S GREAT. 193 00:09:37,811 --> 00:09:41,881 WELL, SHERRY AND LIZ WILL BE HERE ANY MOMENT AND THEN WE CAN GET STARTED. 194 00:09:41,915 --> 00:09:44,117 I CAN'T STAY, I HAVE TO GO GET A SPRAY TAN 195 00:09:44,150 --> 00:09:45,719 AND BUY A DRESS 196 00:09:45,752 --> 00:09:46,953 FOR MARA'S BOYFRIEND/AGENT'S 197 00:09:46,986 --> 00:09:49,189 BIRTHDAY PARTY TOMORROW. 198 00:09:49,222 --> 00:09:52,692 -YOU DON'T NEED A SPRAY TAN. -MOM. PLEASE. 199 00:09:52,726 --> 00:09:54,994 THIS IS A VERY SPECIAL BIRTHDAY FOR US BOTH. 200 00:09:55,028 --> 00:09:56,730 I KNOW THAT. 201 00:09:56,763 --> 00:09:59,799 WELL, I WISH YOU COULD PARTICIPATE IN THE PLANNING. 202 00:09:59,833 --> 00:10:03,770 I NEVER SEE YOU ANYMORE. 203 00:10:03,803 --> 00:10:05,672 I CAN'T WAIT ANY LONGER. 204 00:10:05,705 --> 00:10:08,808 GOT TO GIVE YOU THIS. 205 00:10:08,842 --> 00:10:09,943 NANA'S RING. 206 00:10:09,976 --> 00:10:11,177 YEAH, I HAD IT CLEANED. 207 00:10:11,211 --> 00:10:13,913 SHE GAVE IT TO ME ON MY 30TH BIRTHDAY. 208 00:10:13,947 --> 00:10:15,815 YOU KNOW, YOU COULD WEAR THAT AS A NECKLACE. 209 00:10:15,849 --> 00:10:17,217 HMM. 210 00:10:17,250 --> 00:10:18,218 [PHONE RINGS] 211 00:10:18,251 --> 00:10:21,021 OH. SORRY. HELLO? 212 00:10:21,054 --> 00:10:23,056 MY NANA DIED WHEN I WAS TWO. 213 00:10:23,089 --> 00:10:25,225 SHE WAS A FAMOUS STAGE ACTRESS. 214 00:10:25,258 --> 00:10:29,162 MY MOM SAYS I'M A LOT LIKE HER. 215 00:10:29,195 --> 00:10:33,767 [WOMAN DON'T UNDERSTAND WHY YOU HAD TO TAKE THE FALL... 216 00:10:33,800 --> 00:10:34,868 HEY. 217 00:10:34,901 --> 00:10:36,770 WE'RE HERE. [GIGGLING] 218 00:10:36,803 --> 00:10:37,937 -HI. -[LAUGHING] 219 00:10:37,971 --> 00:10:39,806 I ORDERED THE CAKES. 220 00:10:39,839 --> 00:10:42,909 WE ARE GOING TO HAVE A GLUTEN-FREE CAKE, 221 00:10:42,942 --> 00:10:45,879 AN AGAVE SWEETENED CAKE, AND VEGAN CUPCAKES. 222 00:10:45,912 --> 00:10:47,280 ISN'T THAT FABULOUS? 223 00:10:47,313 --> 00:10:48,815 AND THEN WE'RE GONNA HAVE THE REAL CAKE. 224 00:10:48,848 --> 00:10:50,717 WITH SUGAR AND FLOUR AND LOTS OF FAT. 225 00:10:50,750 --> 00:10:52,952 SO ARE YOU BRINGING ANYBODY SPECIAL? 226 00:10:52,986 --> 00:10:54,254 NO. 227 00:10:54,287 --> 00:10:55,889 I STILL DON'T HAVE A BOYFRIEND. 228 00:10:55,922 --> 00:10:57,123 A GIRLFRIEND? 229 00:10:57,157 --> 00:10:58,491 YOU KNOW, YOU'RE RIDICULOUS. 230 00:10:58,525 --> 00:10:59,926 JULIE CAN'T STAY TO HELP TODAY 231 00:10:59,959 --> 00:11:02,028 BECAUSE SHE'S GOT TO GO GET A TAN. 232 00:11:02,062 --> 00:11:03,930 MOM. 233 00:11:03,963 --> 00:11:07,000 WE PROTESTED FOR WOMEN'S RIGHTS FOR DECADES 234 00:11:07,033 --> 00:11:09,769 SO THAT YOU CAN GO SLAP THAT ORANGE SHIT ALL OVER YOUR SKIN. 235 00:11:09,803 --> 00:11:11,071 THANK YOU. 236 00:11:11,104 --> 00:11:12,906 [GIGGLING] 237 00:11:12,939 --> 00:11:14,140 [SPRAYS] 238 00:11:19,179 --> 00:11:20,880 [SPRAYING CONTINUES] 239 00:11:37,197 --> 00:11:39,199 * WHEN I WAS A GIRL 240 00:11:39,232 --> 00:11:42,135 * SPENDING ALL MY TIME 241 00:11:42,168 --> 00:11:45,005 HON, YOU'RE NOT EVEN TALKING TO ANY-- 242 00:11:45,038 --> 00:11:47,107 OH, MY GOD, YOU ARE SO CHEAP. 243 00:11:47,140 --> 00:11:49,142 I CAN'T AFFORD A $900 DRESS. 244 00:11:49,175 --> 00:11:51,244 WELL, MAYBE YOU SHOULDN'T HAVE BOUGHT IT. 245 00:11:51,277 --> 00:11:53,113 LOOK, JUST MINGLE. 246 00:11:53,146 --> 00:11:55,048 YOU KNOW, TALK TO PEOPLE. BE BOLD. 247 00:11:55,081 --> 00:11:57,150 TELL PEOPLE WHO YOU ARE AND DON'T LET THEM FORGET IT. 248 00:11:57,183 --> 00:11:58,218 HERE'S RICK. 249 00:11:58,251 --> 00:12:00,553 HI, BABY. 250 00:12:00,587 --> 00:12:01,988 HEY, BABE. 251 00:12:02,022 --> 00:12:04,991 HAPPY BIRTHDAY. 252 00:12:05,025 --> 00:12:06,059 WHO ARE YOU? 253 00:12:06,092 --> 00:12:07,961 I'M JULES. 254 00:12:07,994 --> 00:12:09,262 BABY, YOU REMEMBER JULES. 255 00:12:09,295 --> 00:12:10,930 SHE WAS MY FIRST ROOMMATE IN L.A. 256 00:12:10,964 --> 00:12:13,033 SHE'S THE ONE I WAS TELLING YOU ABOUT. 257 00:12:13,066 --> 00:12:16,836 YOU TWO SHOULD REALLY TALK. 258 00:12:16,870 --> 00:12:19,572 COME BY MY OFFICE ON MONDAY. 259 00:12:19,606 --> 00:12:22,175 THANK YOU SO MUCH, RICK. I REALLY APPRECIATE THIS. 260 00:12:22,208 --> 00:12:24,077 [RICK] JEFF, HEY LET ME GET YOU A BOTTLE. 261 00:12:24,110 --> 00:12:26,913 -[MAN] HEY, MARA! MARA! -HI. 262 00:12:26,946 --> 00:12:27,914 [TINKLING] 263 00:12:27,947 --> 00:12:28,982 DID YOU HEAR RICK? 264 00:12:29,015 --> 00:12:31,317 I HAVE A MEETING ON MONDAY. 265 00:12:31,351 --> 00:12:32,919 HE'S REALLY BIG. 266 00:12:32,952 --> 00:12:35,121 LIKE A BIG DEAL. 267 00:12:38,224 --> 00:12:40,026 [SQUEALS] 268 00:12:40,060 --> 00:12:41,895 [FLUSHES] 269 00:12:43,029 --> 00:12:44,964 [GIGGLING] 270 00:12:48,201 --> 00:12:51,004 AT THESE THINGS, IF YOU'RE NOT SOMEBODY, PEOPLE IGNORE YOU. 271 00:12:51,037 --> 00:12:53,073 BUT AT LEAST 272 00:12:53,106 --> 00:12:56,176 I'M IN THE SAME SOCIAL CIRCLE, YOU KNOW. 273 00:12:56,209 --> 00:12:59,346 MY MOM ALWAYS SAYS A RISING TIDE LIFTS ALL BOATS. 274 00:13:03,950 --> 00:13:06,886 HI. 275 00:13:06,920 --> 00:13:08,121 OKAY... 276 00:13:08,154 --> 00:13:09,923 SCOOT HERE. 277 00:13:09,956 --> 00:13:10,990 [MARA] THERE YOU ARE. 278 00:13:11,024 --> 00:13:12,292 RICK WANTS EVERYBODY OUT 279 00:13:12,325 --> 00:13:13,393 SO WE'RE GOING TO BRECK'S HOUSE. 280 00:13:13,426 --> 00:13:14,961 WAIT. REALLY? BRECK ANDREWS? 281 00:13:14,994 --> 00:13:16,162 DO NOT GET WEIRD ON ME. 282 00:13:16,196 --> 00:13:18,231 I LOVE BRECK ANDREWS. 283 00:13:20,367 --> 00:13:22,369 OKAY, YEP. BABE, JUST GO WITHOUT ME. 284 00:13:22,402 --> 00:13:24,337 WAIT... I DON'T EVEN KNOW BRECK. 285 00:13:24,371 --> 00:13:26,106 HON, RICK WANTS ME TO COME HOME. 286 00:13:26,139 --> 00:13:29,876 JUST GO MAKE NEW FRIENDS. 287 00:13:29,909 --> 00:13:32,112 WHAT, BABY? NO, NO. I'M COMING HOME RIGHT BACK. 288 00:13:32,145 --> 00:13:34,447 -WAIT, MARA. -I'LL BE THERE IN LIKE FIVE MINUTES. 289 00:13:34,481 --> 00:13:37,484 BUT... 290 00:13:37,517 --> 00:13:40,954 * TONIGHT I AM YOUR RAGING GOD * 291 00:13:40,987 --> 00:13:43,256 * IN THE BACKYARD OF A BOUGH * 292 00:13:43,289 --> 00:13:44,891 * WHERE CRICKET SPIRITS CHARM THE DARK * 293 00:13:44,924 --> 00:13:47,093 [KNOCKING] 294 00:13:47,127 --> 00:13:50,964 * I MULLING OVER THE MYTH OF A MAN * 295 00:13:50,997 --> 00:13:52,465 * IN THE MIDDLE OF MY MIND * 296 00:13:52,499 --> 00:13:55,368 * HUMAN SIRENS MADE OF LONGING LIGHT * 297 00:13:55,402 --> 00:13:57,370 [KNOCKING] 298 00:13:57,404 --> 00:14:00,940 * WE TOSS OUR GRINS TOWARDS THE CORNERS OF OUR EYES * 299 00:14:00,974 --> 00:14:02,442 * GATHERED IN A KISS 300 00:14:02,475 --> 00:14:06,279 * A MORSEL OF FIRE 301 00:14:06,312 --> 00:14:09,115 * I WANT YOU SO BE BRAVE * 302 00:14:09,149 --> 00:14:12,185 -OH, HEY. -HEY. 303 00:14:12,218 --> 00:14:13,219 WHO ARE YOU? 304 00:14:16,956 --> 00:14:19,092 I... 305 00:14:19,125 --> 00:14:21,261 AHEM. 306 00:14:21,294 --> 00:14:23,963 I WAS AT RICK'S WITH EVERYONE... 307 00:14:23,997 --> 00:14:26,966 MY FRIEND MARA, HE'S DATING MY FRIEND MARA. 308 00:14:27,000 --> 00:14:30,470 AND SHE DROPPED ME OFF BECAUSE SHE SAID YOU'RE HAVING PEOPLE OVER. 309 00:14:30,503 --> 00:14:33,173 MM. NO. 310 00:14:33,206 --> 00:14:34,541 I JUST TEXTED HER TO COME BACK, 311 00:14:34,574 --> 00:14:38,011 SO SHE SHOULD BE COMING RIGHT BACK. 312 00:14:38,044 --> 00:14:40,947 ALL RIGHT. 313 00:14:40,980 --> 00:14:42,282 HOW DO YOU KNOW RICK? 314 00:14:42,315 --> 00:14:44,150 OH, HE'S DATING MY FRIEND MARA. 315 00:14:44,184 --> 00:14:45,385 WHICH YOU KNOW, I JUST SAID THAT. 316 00:14:45,418 --> 00:14:46,453 UM... 317 00:14:46,486 --> 00:14:48,421 HE'S HER AGENT TOO. 318 00:14:48,455 --> 00:14:50,523 AND... I HAVE A MEETING WITH HIM ON MONDAY. 319 00:14:50,557 --> 00:14:54,294 I'M AN ACTOR-- ACTRESS. ACTOR. 320 00:14:54,327 --> 00:14:57,030 WELL, RICK WAS MY AGENT WHEN I WAS FIRST STARTING OUT. 321 00:14:57,063 --> 00:14:59,165 HE'S A SMART GUY. 322 00:14:59,199 --> 00:15:03,236 * THE HEART IS WILD LET'S NOT BEHAVE * 323 00:15:03,269 --> 00:15:05,472 I'LL JUST-- I'LL WAIT RIGHT HERE. 324 00:15:09,209 --> 00:15:11,444 YOU GOT SOME... 325 00:15:11,478 --> 00:15:13,013 TOILET PAPER STUCK. 326 00:15:13,046 --> 00:15:15,181 OH MY G-- OH... OH, GOD... 327 00:15:15,215 --> 00:15:16,983 UM... 328 00:15:17,017 --> 00:15:19,019 I DON'T KNOW HOW THAT HAPPENED. 329 00:15:19,052 --> 00:15:22,188 I WENT PEE, AND THAT WAS LIKE TWO HOURS AGO. 330 00:15:22,222 --> 00:15:25,025 SO... THAT'S AWESOME FOR ME. 331 00:15:25,058 --> 00:15:28,361 AND BY AWESOME, I MEAN EMBARRASSING. 332 00:15:28,395 --> 00:15:30,063 YOU WANT TO COME IN FOR A GLASS 333 00:15:30,096 --> 00:15:33,233 WHILE YOU WAIT? 334 00:15:33,266 --> 00:15:35,335 YES. 335 00:15:35,368 --> 00:15:39,372 OH. [GIGGLES] 336 00:15:39,406 --> 00:15:41,074 [SIGHS] 337 00:15:42,308 --> 00:15:45,578 * I WANT YOU SO BE BRAVE * 338 00:15:47,180 --> 00:15:49,482 * THE HEART IS WILD 339 00:15:49,516 --> 00:15:52,485 * LET'S NOT BEHAVE 340 00:15:55,155 --> 00:15:57,357 I... I LIKE THAT TABLE. 341 00:15:57,390 --> 00:15:59,059 THAT'S... 342 00:15:59,092 --> 00:16:00,360 I MEAN I LIKE EVERYTHING IN HERE. 343 00:16:00,393 --> 00:16:02,595 YOU HAVE A REALLY BEAUTIFUL HOME. 344 00:16:02,629 --> 00:16:05,532 THANKS. YOU KNOW, I MADE THAT TABLE. 345 00:16:05,565 --> 00:16:09,436 -FROM SCRATCH? -MM-HMM. 346 00:16:09,469 --> 00:16:11,538 [YAWNS] 347 00:16:11,571 --> 00:16:15,342 I'M SO SORRY, MY FRIEND MARA SHOULD BE HERE REALLY SOON. 348 00:16:15,375 --> 00:16:17,510 NO, I'M SORRY, I DON'T MEAN TO BE RUDE. 349 00:16:17,544 --> 00:16:20,246 I'M JET-LAGGED. I JUST GOT BACK FROM LONDON. 350 00:16:20,280 --> 00:16:23,516 OH, WERE YOU WORKING ON A FILM THERE? 351 00:16:23,550 --> 00:16:25,185 NO, I WAS GIVING A SPEECH 352 00:16:25,218 --> 00:16:27,387 AT THE DRAMA DEPARTMENT AT RADA. 353 00:16:27,420 --> 00:16:28,455 I WENT TO SCHOOL THERE. 354 00:16:28,488 --> 00:16:31,257 -SHAKESPEARE? -YEAH. 355 00:16:31,291 --> 00:16:33,126 YOU'RE... SMART. 356 00:16:33,159 --> 00:16:34,327 HMM. 357 00:16:40,166 --> 00:16:41,401 AHH. 358 00:16:44,304 --> 00:16:46,406 IS IT COOL IF YOU SHOW YOURSELF OUT? 359 00:16:46,439 --> 00:16:48,575 JUST SO TIRED. I HAVE TO GET SOME SLEEP. 360 00:16:48,608 --> 00:16:50,276 I HAVE A PHOTO SHOOT IN THE MORNING. 361 00:16:50,310 --> 00:16:52,545 OH, YEAH, OF COURSE. 362 00:16:52,579 --> 00:16:56,149 DON'T WORRY, I'M NOT GONNA STEAL ANYTHING. 363 00:16:56,182 --> 00:16:57,350 THAT SOUNDED LIKE I WAS GONNA STEAL SOMETHING. 364 00:16:57,384 --> 00:16:59,285 I'M NOT, I JUST... 365 00:16:59,319 --> 00:17:03,523 BECAUSE YOU DON'T KNOW ME, I WANTED TO REASSURE YOU. 366 00:17:03,556 --> 00:17:05,058 OKAY... 367 00:17:07,560 --> 00:17:09,696 ALL RIGHT, WELL, GOOD NIGHT. 368 00:17:09,729 --> 00:17:11,164 GOOD NIGHT. 369 00:17:11,197 --> 00:17:12,332 DON'T STEAL ANYTHING. 370 00:17:12,365 --> 00:17:13,533 [GIGGLES] 371 00:17:13,566 --> 00:17:15,168 ALL RIGHT. 372 00:17:15,201 --> 00:17:17,637 I WON'T. [GIGGLES] 373 00:17:21,474 --> 00:17:23,476 [DOOR CLANKS] 374 00:17:30,717 --> 00:17:32,485 [PHONE RECORDING] IT'S MARA. YOU KNOW WHAT TO DO. 375 00:17:32,519 --> 00:17:34,621 -[BEEPS] -MARA, NO ONE IS HERE. 376 00:17:34,654 --> 00:17:36,456 I'M AT BRECK'S BY MYSELF. 377 00:17:36,489 --> 00:17:38,358 HE JUST WENT TO BED. IT IS SO EMBARRASSING. 378 00:17:38,391 --> 00:17:40,427 WILL YOU COME BACK AND PICK ME UP PLEASE? 379 00:17:40,460 --> 00:17:42,095 THANK YOU. 380 00:17:54,708 --> 00:17:56,476 [PHONE RECORDING] HI, IT'S ERIC. 381 00:17:56,509 --> 00:17:58,611 BE KIND, DON'T LITTER. LEAVE A MESSAGE. 382 00:17:58,645 --> 00:18:01,348 ERIC, WILL YOU CALL ME BACK RIGHT AWAY? 383 00:18:01,381 --> 00:18:03,383 I NEED A FAVOR. I NEED A RIDE. 384 00:18:03,416 --> 00:18:05,452 I DON'T KNOW-- I DON'T KNOW WHERE I AM. 385 00:18:05,485 --> 00:18:07,220 BUT IT'S SUPER IMPORTANT THAT YOU CALL ME BACK. 386 00:18:07,253 --> 00:18:08,922 LIKE RIGHT NOW. PLEASE PLEASE PLEASE. THANK YOU. 387 00:18:08,955 --> 00:18:11,391 THIS IS 9-1-1 9-1-1. 388 00:18:27,474 --> 00:18:29,442 THAT'S HIS EX, GENEVIEVE WILSON. 389 00:18:29,476 --> 00:18:31,578 SHE CHEATED ON HIM. 390 00:18:31,611 --> 00:18:33,646 MARA AND HER USED TO BE FRIENDS. 391 00:18:33,680 --> 00:18:36,149 I KNOW THEY BROKE UP, I DON'T KNOW WHY HE HAS HER IN A FRAME. 392 00:18:39,419 --> 00:18:42,722 HE GOT AN OSCAR NOMINATION WHEN HE WAS 17. 393 00:18:42,756 --> 00:18:44,391 [WHISPERS] I LOVE HIM SO MUCH. 394 00:18:44,424 --> 00:18:46,326 I LOVE HIM SO MUCH. 395 00:18:52,298 --> 00:18:53,500 -[CLANGS] -[SPLASHES] 396 00:18:53,533 --> 00:18:54,701 [GASPS] 397 00:18:54,734 --> 00:18:56,703 SHIT. 398 00:19:08,014 --> 00:19:10,750 [DOOR CLOSES] 399 00:19:12,352 --> 00:19:14,187 -[SHOWER RUNNING] -[GASPS] 400 00:19:18,258 --> 00:19:20,460 OH, MY GOD. I FELL ASLEEP. 401 00:19:20,493 --> 00:19:22,595 HE'S GOING TO THINK I'M CRAZY. 402 00:19:26,299 --> 00:19:28,635 MY PHONE'S DEAD. 403 00:19:36,343 --> 00:19:37,744 [PHONE BUZZES] 404 00:20:01,801 --> 00:20:03,603 ERIC, THANK GOD YOU ANSWERED. 405 00:20:03,636 --> 00:20:05,472 LOOK, I NEED A RIDE. LISTEN, LISTEN. 406 00:20:05,505 --> 00:20:06,773 MY PHONE'S GONNA DIE. 407 00:20:06,806 --> 00:20:08,742 I'M AT THIS GUY, BRECK ANDREW'S HOUSE. 408 00:20:08,775 --> 00:20:12,579 YEAH. AND CAN YOU PICK ME UP AT THE BOTTOM OF LAUREL CANYON? 409 00:20:12,612 --> 00:20:15,248 YES. THAT GAS STATION. PERFECT, THANK YOU. 410 00:20:19,319 --> 00:20:21,321 ERIC, LISTEN. 411 00:20:21,354 --> 00:20:22,655 BRECK DIDN'T EVEN TRY ANYTHING WHEN I WAS OVER THERE. 412 00:20:22,689 --> 00:20:23,690 WE'RE TALKING ABOUT THIS AGAIN. 413 00:20:23,723 --> 00:20:25,358 -YES. -WHY? 414 00:20:25,392 --> 00:20:27,394 -WHAT'S WRONG WITH ME? -NOTHING. 415 00:20:27,427 --> 00:20:29,796 MARA SAYS I DON'T GIVE OFF THAT SEXY, CAREFREE VIBE. 416 00:20:29,829 --> 00:20:31,898 WHICH I DON'T THINK I DO. 417 00:20:31,931 --> 00:20:34,768 BECAUSE I'M GONNA BE 30 AND I'VE NEVER HAD A ONE NIGHT STAND. 418 00:20:34,801 --> 00:20:36,436 THAT'S WEIRD. 419 00:20:36,469 --> 00:20:37,871 IT'S NOT WEIRD. I THINK IT'S SWEET. 420 00:20:37,904 --> 00:20:38,872 IT'S CUTE. 421 00:20:38,905 --> 00:20:41,508 BRECK'S LIKE A MAN. 422 00:20:41,541 --> 00:20:43,677 HE'S LIKE A MAN'S MAN. 423 00:20:43,710 --> 00:20:46,346 -HE MAKES FURNITURE FROM SCRATCH. -OH, WOW. 424 00:20:46,379 --> 00:20:47,747 AND HE WENT TO RADA. 425 00:20:47,781 --> 00:20:49,349 AND HE'S SO TALENTED. 426 00:20:49,382 --> 00:20:50,517 OKAY, THEN SLEEP WITH HIM. 427 00:20:50,550 --> 00:20:51,718 I WANNA SLEEP WITH HIM. 428 00:20:51,751 --> 00:20:53,586 OKAY THEN. COOL. HAVE FUN. 429 00:20:53,620 --> 00:20:56,356 BUT I WANT HIM TO BE MY BOYFRIEND. 430 00:20:56,389 --> 00:20:57,524 THERE'S YOUR PROBLEM. 431 00:20:57,557 --> 00:21:01,594 I WANT HIM TO WANT TO MARRY ME. 432 00:21:01,628 --> 00:21:04,798 AND I WANT US TO HAVE BABIES. 433 00:21:04,831 --> 00:21:06,433 [SLURPS] 434 00:21:08,368 --> 00:21:10,337 [PHONE RINGS] 435 00:21:13,573 --> 00:21:16,543 -ALL RIGHT, LISTEN, JAMIE, WE CAN SIT HERE-- -IT'S JULES. 436 00:21:16,576 --> 00:21:17,644 WHAT? 437 00:21:17,677 --> 00:21:19,646 I'M JULES. 438 00:21:19,679 --> 00:21:22,549 OKAY. JULES, WE CAN SIT HERE AND BULLSHIT FOR A FEW MINUTES 439 00:21:22,582 --> 00:21:25,618 BUT ALL I REALLY NEED TO KNOW IS IF YOU'RE TALENTED. 440 00:21:25,652 --> 00:21:26,820 I AM. 441 00:21:26,853 --> 00:21:29,856 THAT WASN'T A QUESTION. 442 00:21:29,889 --> 00:21:32,826 JEFF, HEY. RICK SILVER. 443 00:21:32,859 --> 00:21:34,661 [LAUGHS] 444 00:21:34,694 --> 00:21:37,464 I KNOW, CAN YOU BELIEVE I'M STANDING? 445 00:21:37,497 --> 00:21:38,832 ALL RIGHT. UH, LISTEN. 446 00:21:38,865 --> 00:21:42,402 UM, I AM GOING TO SEND YOU SOMEONE TOMORROW. 447 00:21:42,435 --> 00:21:45,472 [LAUGHS] 448 00:21:45,505 --> 00:21:47,407 I CAN'T BELIEVE YOU DID THAT. 449 00:21:47,440 --> 00:21:48,541 IT WAS WITH YOUR TEETH TOO. 450 00:21:48,575 --> 00:21:49,676 ALL RIGHT BUDDY, WE'LL SEE YOU-- 451 00:21:49,709 --> 00:21:51,644 ALL RIGHT, OKAY BYE. 452 00:21:51,678 --> 00:21:53,613 YOU HAVE A MEETING WITH JEFF FREDRICK. 453 00:21:53,646 --> 00:21:55,582 HE CASTS ALL THE SHOWS FOR HBO. 454 00:21:55,615 --> 00:21:57,851 IF HE LIKES YOU, WE'LL TALK. 455 00:22:07,794 --> 00:22:10,430 DO YOU LIKE MY HAIR? 456 00:22:10,463 --> 00:22:11,698 GREAT ACTORS CHANGE THEIR HAIRSTYLE 457 00:22:11,731 --> 00:22:13,733 FOR EVERY FILM. 458 00:22:13,767 --> 00:22:18,171 JEFF IS GOING TO BE IMPRESSED AND KNOW THAT I'M VERSATILE. 459 00:22:18,204 --> 00:22:19,906 WHEN I TOOK CLASSES AT THE GROUNDLINGS, 460 00:22:19,939 --> 00:22:22,475 WE'D START EVERY SCENE BY YELLING, "YAY." 461 00:22:22,509 --> 00:22:24,577 'CAUSE WHEN YOU HAVE HIGH ENERGY PEOPLE BELIEVE YOU'RE CONFIDENT. 462 00:22:24,611 --> 00:22:26,946 AND WHEN YOU'RE CONFIDENT, YOU GET THE JOB. 463 00:22:26,980 --> 00:22:28,682 I GET EMBARRASSED TO DO IT AT AUDITIONS. 464 00:22:28,715 --> 00:22:32,452 BUT IT REALLY HELPS, AND WHO CARS RIGHT? 465 00:22:40,994 --> 00:22:42,595 [SIGHS] 466 00:22:42,629 --> 00:22:46,900 UH, ARE YOU AUDITIONING FOR JEFF FREDERICK? 467 00:22:47,934 --> 00:22:50,203 SO HOW FAR ALONG ARE YOU? 468 00:22:50,236 --> 00:22:52,806 -25 WEEKS. -AWW. 469 00:22:52,839 --> 00:22:57,811 [MUSIC PLAYS] 470 00:23:06,820 --> 00:23:08,221 UM... 471 00:23:08,254 --> 00:23:11,658 RICK DID NOT TELL ME THAT YOU WERE PREGNANT. 472 00:23:11,691 --> 00:23:12,826 25 WEEKS. 473 00:23:12,859 --> 00:23:14,461 AWW. 474 00:23:14,494 --> 00:23:16,563 WELL, CONGRATULATIONS. 475 00:23:16,596 --> 00:23:18,531 AHH... 476 00:23:18,565 --> 00:23:19,532 RICK TOLD YOU THAT YOU'RE NOT ACTUALLY AUDITIONING 477 00:23:19,566 --> 00:23:22,569 FOR THIS TODAY, RIGHT? 478 00:23:22,602 --> 00:23:25,705 THAT THIS IS JUST THE BEST MATERIAL I CAN GET ON SHORT NOTICE 479 00:23:25,739 --> 00:23:29,809 AND GET A SENSE OF... YOU. OKAY. 480 00:23:29,843 --> 00:23:31,911 GOOD. ALL RIGHT. 481 00:23:31,945 --> 00:23:33,747 WELL... ARE YOU READY? 482 00:23:33,780 --> 00:23:36,850 I WILL READ WITH YOU. 483 00:23:36,883 --> 00:23:39,853 [SINGS] YAY! 484 00:23:39,886 --> 00:23:41,521 [SIGHS] 485 00:23:45,692 --> 00:23:47,927 AHEM, PENNY YOU'RE A DIRTY LITTLE WHORE, 486 00:23:47,961 --> 00:23:49,829 GET OUT OF MY HOUSE. 487 00:23:49,863 --> 00:23:52,932 I'LL KILL MYSELF. RIGHT HERE. 488 00:23:52,966 --> 00:23:56,269 I MEAN IT. RIGHT HERE. RIGHT NOW. 489 00:23:56,302 --> 00:23:57,637 [CRIES] 490 00:23:57,671 --> 00:24:00,907 I'M NOT PLAYING GAMES. 491 00:24:00,940 --> 00:24:03,977 OWW. I'M LEAVING YOU. 492 00:24:04,010 --> 00:24:06,713 AND I'M NEVER GONNA LET YOU SEE YOUR BABY. 493 00:24:06,746 --> 00:24:07,981 DO YOU HEAR ME? 494 00:24:08,014 --> 00:24:10,083 I'M LEAVING YOU. 495 00:24:10,116 --> 00:24:12,986 [CRIES] 496 00:24:13,019 --> 00:24:16,956 OW. 497 00:24:16,990 --> 00:24:19,693 WHERE ARE YOU GOING? 498 00:24:19,726 --> 00:24:23,296 FRED, I LOVE YOU. FREDDY! 499 00:24:23,329 --> 00:24:26,599 FREDDY! 500 00:24:29,169 --> 00:24:30,603 I... 501 00:24:30,637 --> 00:24:33,573 WELL... 502 00:24:33,606 --> 00:24:36,109 HE DOESN'T HIT HER IN THIS SCRIPT. 503 00:24:36,142 --> 00:24:39,746 I THOUGHT I'D UP THE STAKES. 504 00:24:39,779 --> 00:24:41,047 I... 505 00:24:41,081 --> 00:24:44,150 YEAH... TO GET PUNCHED IN THE... 506 00:24:44,184 --> 00:24:46,586 ...IN THE CHILD DOES DO THAT. 507 00:24:46,619 --> 00:24:51,324 BUT I'M NOT A 100% SURE IF THAT'S WHAT WE'RE GOING FOR. 508 00:24:51,358 --> 00:24:53,026 YES. OKAY, SO YOU'VE DONE A LOT OF THEATER. 509 00:24:53,059 --> 00:24:55,028 THAT'S REALLY GREAT. YOU KNOW... 510 00:24:55,061 --> 00:24:58,965 FOR FILM, WHEN THE CAMERA IS RIGHT THERE, 511 00:24:58,998 --> 00:25:02,335 UH, IT PICKS UP EVERY LITTLE TINY THING, SO YOU CAN... 512 00:25:02,369 --> 00:25:04,637 YOU DON'T HAVE TO BE SO... BIG. 513 00:25:04,671 --> 00:25:08,108 SHE'S TRYING TO GET A REACTION? 514 00:25:08,141 --> 00:25:10,610 'CAUSE SHE LOVES HIM. 515 00:25:10,643 --> 00:25:12,912 YEAH. 516 00:25:12,946 --> 00:25:15,715 -CAN I DO IT AGAIN? -YEAH. 517 00:25:15,749 --> 00:25:19,619 AHEM. 518 00:25:19,652 --> 00:25:21,588 PENNY, YOU'RE A DIRTY LITTLE WHORE. 519 00:25:21,621 --> 00:25:22,922 GET OUT OF MY HOUSE. 520 00:25:22,956 --> 00:25:24,958 I'LL KILL MYSELF. RIGHT HERE. 521 00:25:24,991 --> 00:25:29,796 I MEAN IT, RIGHT HERE, RIGHT NOW. 522 00:25:29,829 --> 00:25:31,798 I'M NOT PLAYING GAMES. 523 00:25:31,831 --> 00:25:34,601 I'M LEAVING YOU AND I'M NEVER GONNA LET YOU SEE YOUR BABY... 524 00:25:34,634 --> 00:25:36,036 OKAY, I'M JUST GONNA STOP YOU RIGHT THERE. 525 00:25:36,069 --> 00:25:38,805 UM... 526 00:25:38,838 --> 00:25:40,940 I THINK YOU'RE... YOU'RE... 527 00:25:40,974 --> 00:25:43,209 YOU REALLY TOOK MY NOTE SO THAT'S GOOD, 528 00:25:43,243 --> 00:25:45,945 BUT I THINK YOU TOOK IT TO THE EXTREME. 529 00:25:45,979 --> 00:25:50,083 I THINK MAYBE THERE'S A PLACE THAT'S IN BETWEEN. 530 00:25:50,116 --> 00:25:53,219 WHERE IT'S NOT QUITE SO BIG, BUT I CAN STILL UNDERSTAND WHAT YOU'RE SAYING. 531 00:25:53,253 --> 00:25:56,723 AHH. 532 00:25:56,756 --> 00:25:59,926 CAN I JUST DO THE ENDING AGAIN? 533 00:25:59,959 --> 00:26:01,961 'CAUSE SHE'S TRYING TO KILL HERSELF. 534 00:26:01,995 --> 00:26:03,163 AND I HAVE AN IDEA. 535 00:26:03,196 --> 00:26:05,832 YEAH. YEAH. 536 00:26:05,865 --> 00:26:07,834 AHEM. ALL RIGHT. 537 00:26:12,238 --> 00:26:15,141 [PANTING] 538 00:26:21,181 --> 00:26:24,017 IMITATES GUNSHOTS] 539 00:26:24,050 --> 00:26:25,652 OH. 540 00:26:25,685 --> 00:26:26,820 [GROANS] 541 00:26:26,853 --> 00:26:30,890 [BALLOON HISSES] 542 00:26:30,924 --> 00:26:35,628 [GROANING CONTINUES] 543 00:26:44,771 --> 00:26:46,873 [CRIES] 544 00:26:50,877 --> 00:26:53,146 YOU LIED TO ME ABOUT BEING PREGNANT. 545 00:26:53,179 --> 00:26:56,649 YEAH. IT'S A BEACH BALL. 546 00:27:02,222 --> 00:27:05,692 [MUSIC PLAYS] 547 00:27:15,135 --> 00:27:17,037 EDWARD NORTON PRETENDED TO BE THE CHARACTER 548 00:27:17,070 --> 00:27:18,304 WHEN HE AUDITIONED FOR "PRIMAL FEAR" 549 00:27:18,338 --> 00:27:20,240 AND HE GOT NOMINATED FOR AN OSCAR. 550 00:27:20,273 --> 00:27:22,475 YOU'RE NOT EDWARD NORTON. 551 00:27:22,509 --> 00:27:25,011 DON'T DO IT AGAIN. 552 00:27:25,045 --> 00:27:26,913 AGAIN? 553 00:27:26,946 --> 00:27:29,049 I LIKE THAT YOU TOOK A RISK. 554 00:27:29,082 --> 00:27:31,785 YOU HAVE A MEETING WITH KYRA HARDING THIS MONDAY. 555 00:27:31,818 --> 00:27:33,787 THANK YOU. 556 00:27:33,820 --> 00:27:34,821 I DON'T MAKE A HABIT OF SEEING CLIENTS ON MY DAY OFF. 557 00:27:34,854 --> 00:27:36,489 -IS THAT CLEAR? -YES. 558 00:27:36,523 --> 00:27:38,191 MY ASSISTANT WILL GET YOU THE SCRIPT. 559 00:27:38,224 --> 00:27:40,960 IT'S A COMEDY SERIES ABOUT WOMEN IN THE MILITARY. 560 00:27:40,994 --> 00:27:43,263 JUST TO BE CLEAR THIS TIME, AM I AUDITIONING FOR THE ROLE, 561 00:27:43,296 --> 00:27:44,898 OR JUST THERE TO READ FOR KYRA? 562 00:27:44,931 --> 00:27:48,001 YOU'RE AUDITIONING. 563 00:27:48,034 --> 00:27:49,803 -HI, MARA. -HI. 564 00:27:49,836 --> 00:27:51,071 HEY, I GOTTA MAKE A CALL 565 00:27:51,104 --> 00:27:52,072 AND THEN I'LL BE READY TO GO. 566 00:27:52,105 --> 00:27:54,040 -OKAY, BABE? -OKAY. 567 00:27:54,074 --> 00:27:55,208 DO YOU WANT THIS? I DON'T EVEN KNOW WHERE I GOT IT, 568 00:27:55,241 --> 00:27:57,243 BUT IT DOESN'T FIT ANYMORE. 569 00:27:57,277 --> 00:27:58,745 HE HATES ME. 570 00:27:58,778 --> 00:28:00,513 WELL, JULES, YOU LIED. 571 00:28:00,547 --> 00:28:02,148 ONLY BECAUSE I WANTED TO GET THE PART. 572 00:28:02,182 --> 00:28:04,017 LOOK, DON'T WORRY ABOUT THAT. 573 00:28:04,050 --> 00:28:07,187 YOU KNOW? JUST BE YOURSELF. 574 00:28:07,220 --> 00:28:08,521 HAVE YOU CALLED BRECK YET? 575 00:28:08,555 --> 00:28:11,224 NO. I'M NOT EVEN HIS TYPE. 576 00:28:11,257 --> 00:28:12,759 DIDN'T YOU SAY HE AND GENEVIEVE 577 00:28:12,792 --> 00:28:15,328 WERE INTO LIKE WHIPS AND CHAINS 578 00:28:15,362 --> 00:28:16,830 AND LIKE SandM STUFF? 579 00:28:16,863 --> 00:28:18,765 SERIOUSLY JUST CALL HIM. 580 00:28:18,798 --> 00:28:20,867 I'M NOT GOING TO CALL HIM. 581 00:28:25,138 --> 00:28:27,841 HEY BRECK, IT'S JULES. 582 00:28:27,874 --> 00:28:30,110 I GOT YOUR NUMBER FROM MY FRIEND MARA. 583 00:28:30,143 --> 00:28:32,846 AND... UM... 584 00:28:36,349 --> 00:28:38,251 [PHONE RECORDING] MESSAGE ERASED. 585 00:28:38,284 --> 00:28:40,286 -AT THE TONE, PLEASE RERECORD YOUR MESSAGE. -[BEEPS] 586 00:28:40,320 --> 00:28:43,056 WHAT'S UP? IT'S JULES. 587 00:28:43,089 --> 00:28:45,258 I MET YOU THE OTHER NIGHT. 588 00:28:45,291 --> 00:28:46,960 AFTER RICK'S PARTY. 589 00:28:46,993 --> 00:28:48,995 I HAD TOILET PAPER COMING OUT OF MY DRESS. 590 00:28:49,029 --> 00:28:50,096 [LAUGHS] 591 00:28:50,130 --> 00:28:52,999 SO THAT'S STUPID. 592 00:28:53,033 --> 00:28:54,367 [PHONE RECORDING] MESSAGE ERASED. 593 00:28:54,401 --> 00:28:56,803 AT THE TONE, PLEASE RERECORD YOUR MESSAGE. 594 00:28:56,836 --> 00:28:57,804 [BEEPS] 595 00:28:57,837 --> 00:28:59,939 HEY BRECK. IT'S JULES. 596 00:28:59,973 --> 00:29:01,341 YOU DON'T REALLY KNOW ME. 597 00:29:01,374 --> 00:29:04,811 UM, THAT SOUNDS CREEPY. 598 00:29:04,844 --> 00:29:07,147 BUT I MET YOU THE OTHER NIGHT. 599 00:29:07,180 --> 00:29:09,015 AND I STAYED AT YOUR HOUSE, 600 00:29:09,049 --> 00:29:12,886 WHICH YOU DON'T KNOW EITHER. THIS IS SO... 601 00:29:12,919 --> 00:29:14,287 [PHONE RECORDING] MESSAGE ERASED. 602 00:29:14,320 --> 00:29:16,156 AT THE TONE, PLEASE RERECORD YOUR MESSAGE. 603 00:29:16,189 --> 00:29:18,191 -[BEEPS] -HI, BRECK. 604 00:29:20,927 --> 00:29:23,129 AHH. 605 00:29:23,163 --> 00:29:24,864 [PHONE RECORDING] MESSAGE ERASED. 606 00:29:24,898 --> 00:29:26,599 AT THE TONE, PLEASE RERECORD YOUR MESSAGE. 607 00:29:26,633 --> 00:29:28,001 [BEEPS] 608 00:29:28,034 --> 00:29:29,903 HEY, BRECK. IT'S JULES. 609 00:29:29,936 --> 00:29:31,204 I MET YOU THE OTHER NIGHT. 610 00:29:31,237 --> 00:29:33,173 I'M FRIENDS WITH RICK AND MARA. 611 00:29:33,206 --> 00:29:35,141 ONLY MARA. 612 00:29:35,175 --> 00:29:37,310 BUT SHE SAID I SHOULD CALL YOU AND SAY, "HI." 613 00:29:37,344 --> 00:29:39,946 SO "HI." UH... 614 00:29:39,979 --> 00:29:43,817 I JUST WANTED TO KNOW IF YOU WANTED TO HAVE COFFEE OR SOMETHING SOMETIME. 615 00:29:45,085 --> 00:29:46,886 I'M PRETTY FLEXIBLE... 616 00:29:46,920 --> 00:29:48,922 WITH MY SCHEDULE. THAT'S SOUNDED WEIRD. 617 00:29:48,955 --> 00:29:50,390 LIKE I'M FLEXIBLE IN A KINKY WAY. 618 00:29:50,423 --> 00:29:52,926 UH, DON'T WORRY. I'M NOT A PHONE SEX GIRL. 619 00:29:52,959 --> 00:29:54,961 I MEAN, I CAN BE 620 00:29:54,994 --> 00:29:56,463 IF YOU'RE INTO THAT SORT OF THING. 621 00:29:56,496 --> 00:29:59,866 UH, I'VE DONE IT BEFORE. ONCE. 622 00:29:59,899 --> 00:30:01,167 AND I'M TALKING ABOUT PHONE SEX, 623 00:30:01,201 --> 00:30:03,303 WHY DON'T I TELL HIM ABOUT ANAL SEX? 624 00:30:03,336 --> 00:30:05,372 [PHONE RECORDING] YOUR MESSAGE HAS BEEN SENT. 625 00:30:05,405 --> 00:30:07,941 [SCREAMS] 626 00:30:07,974 --> 00:30:11,211 * TAKE IT SLOWLY 627 00:30:11,244 --> 00:30:15,081 * YOU KNOW MY NAME 628 00:30:15,115 --> 00:30:16,082 -* YOU KNOW WHERE TO FIND ME -[KNOCKING] 629 00:30:16,116 --> 00:30:18,651 IT'S ERIC. 630 00:30:18,685 --> 00:30:20,920 SINGLE. 631 00:30:20,954 --> 00:30:22,255 I'M HOMELESS. 632 00:30:22,288 --> 00:30:23,356 AND I'M GONNA BE IN A HOT DOG SUIT 633 00:30:23,390 --> 00:30:26,292 AT 8:00 AM TOMORROW. 634 00:30:26,326 --> 00:30:27,994 YOU REALLY WANTED TO MARRY HER? 635 00:30:32,265 --> 00:30:33,433 NO... 636 00:30:37,470 --> 00:30:40,006 WHAT'S... 637 00:30:40,040 --> 00:30:41,341 GOING ON OVER THERE? 638 00:30:41,374 --> 00:30:42,976 [LAUGHS] 639 00:30:43,009 --> 00:30:44,678 MY STOMACH HURTS. 640 00:30:44,711 --> 00:30:46,279 I ATE AN ENTIRE BOX OF MINTS 641 00:30:46,312 --> 00:30:49,082 IN LIKE A HALF AN HOUR. 642 00:30:49,115 --> 00:30:52,252 SO SHE'S LIKE ALREADY ON INSTAGRAM. 643 00:30:52,285 --> 00:30:54,921 POSTING PICTURES OF HER AND SOME OTHER GUY. 644 00:30:54,954 --> 00:30:56,456 SHE'S MANIPULATIVE. 645 00:31:01,027 --> 00:31:03,329 YOU'VE BEEN HERE ALMOST A YEAR. 646 00:31:03,363 --> 00:31:05,231 SHOULDN'T YOU UNPACK YOUR STUFF? 647 00:31:05,265 --> 00:31:06,933 I'M GOING TO MOVE TO ABBOT KINNEY 648 00:31:06,966 --> 00:31:09,469 AS SOON AS I CAN AFFORD IT. 649 00:31:09,502 --> 00:31:12,072 YOU'RE LIKE YOUR MOM, PUT UP WALLPAPER. 650 00:31:12,105 --> 00:31:15,008 [PHONE BUZZES] 651 00:31:15,041 --> 00:31:16,009 ALL RIGHT, IT'S HER. 652 00:31:16,042 --> 00:31:17,310 DON'T ANSWER. 653 00:31:21,381 --> 00:31:23,116 HI, KIM. 654 00:31:23,149 --> 00:31:25,251 NO, JUST... 655 00:31:25,285 --> 00:31:28,154 OVER AT JULES'S. 656 00:31:28,188 --> 00:31:29,989 KIM SAYS, "HI." 657 00:31:30,023 --> 00:31:32,192 JULES SAYS, "HI." 658 00:31:32,225 --> 00:31:36,463 [BOTH] AHH. 659 00:31:44,004 --> 00:31:46,139 THIS WAY. THIS WAY. 660 00:31:46,172 --> 00:31:47,374 HEY. 661 00:31:47,407 --> 00:31:48,441 YOU WERE IN A PLAY AT THE MALIBU PLAYHOUSE 662 00:31:48,475 --> 00:31:49,576 LAST MONTH, RIGHT? 663 00:31:49,609 --> 00:31:51,244 YEAH. I WAS. HI. 664 00:31:51,277 --> 00:31:53,446 OH, MY GOD, YOU WERE AMAZING. 665 00:31:53,480 --> 00:31:55,081 THANK YOU. 666 00:31:55,115 --> 00:31:56,249 I ALWAYS SEE YOU WHEN I'M RUNNING. 667 00:31:56,282 --> 00:31:57,417 AND DO YOU LIVE AROUND HERE? 668 00:31:57,450 --> 00:31:59,052 I'M A PERSONAL ASSISTANT 669 00:31:59,085 --> 00:32:00,320 FOR AN ATTORNEY IN THE NEIGHBORHOOD. 670 00:32:00,353 --> 00:32:02,055 I'VE ACTUALLY NEVER MET HER. 671 00:32:02,088 --> 00:32:03,456 MY HUSBAND AND I THOUGHT YOU WERE THE BEST THING 672 00:32:03,490 --> 00:32:04,524 ABOUT THAT PLAY. 673 00:32:04,557 --> 00:32:06,226 THANK YOU, SERIOUSLY. 674 00:32:06,259 --> 00:32:07,360 YEAH, I WENT TO SCHOOL FOR ACTING, 675 00:32:07,394 --> 00:32:09,029 AND I USED TO DO A LITTLE BIT. 676 00:32:09,062 --> 00:32:11,464 BUT THEN I GOT MARRIED AND HAD KIDS AND... 677 00:32:11,498 --> 00:32:13,333 YOU KNOW, NOW I'M AN EDITOR. YOU KNOW HOW IT GOES. 678 00:32:13,366 --> 00:32:16,169 -YOU SHOULD GO BACK TO IT. -NO. [CHUCKLES] 679 00:32:16,202 --> 00:32:17,771 YOU SHOULD. 680 00:32:17,804 --> 00:32:19,773 -NO, YOU. YOU ARE REALLY GOOD. -THANK YOU. 681 00:32:19,806 --> 00:32:22,108 -I'M GRETA. -I'M JULES. 682 00:32:22,142 --> 00:32:23,443 JULES JENSON. 683 00:32:23,476 --> 00:32:25,311 WELL, HAVE A GOOD DAY. 684 00:32:27,814 --> 00:32:29,149 GO ON. 685 00:32:36,523 --> 00:32:39,025 MY FAVORITE ALBERT EINSTEIN QUOTE SAYS, 686 00:32:39,059 --> 00:32:41,161 "EVERYTHING IS ENERGY. THAT'S ALL THERE IS TO IT. 687 00:32:41,194 --> 00:32:43,229 MATCH THE FREQUENCY OF THE REALITY YOU WANT 688 00:32:43,263 --> 00:32:45,432 AND YOU CANNOT HELP BUT GET THAT REALITY." 689 00:32:47,434 --> 00:32:49,035 [KNOCKING] 690 00:32:49,069 --> 00:32:52,272 [BEVERLY] JULES, I'M HERE. 691 00:32:52,305 --> 00:32:56,109 HEY. 692 00:32:56,142 --> 00:33:00,113 I WANT TO GET YOUR OPINION ON WHAT TO WEAR TODAY. 693 00:33:00,146 --> 00:33:02,549 AND HONEY, WHY DON'T WE LOOK FOR A DAY NEXT WEEK 694 00:33:02,582 --> 00:33:07,120 WHEN I CAN COME OVER AND HELP MAKE THIS PLACE A LITTLE MORE HOMEY. 695 00:33:07,153 --> 00:33:08,521 BUY YOU A BED FRAME. 696 00:33:08,555 --> 00:33:11,091 THERE'S NO POINT, I'LL BE MOVING SOON. 697 00:33:11,124 --> 00:33:13,393 I DON'T WANT YOU TO BUY ME ANYTHING. 698 00:33:13,426 --> 00:33:14,594 I DON'T NEED ANY MORE PLANTS. 699 00:33:14,627 --> 00:33:17,297 THEY JUST DIE ON ME. 700 00:33:27,607 --> 00:33:29,609 YOU DON'T WANT MY PAINTINGS? 701 00:33:29,642 --> 00:33:33,546 UH, IT'S KIND OF WEIRD TO HAVE PAINTINGS UP OF MYSELF. 702 00:33:33,580 --> 00:33:36,282 WELL, THAT NEVER BOTHERED YOU BEFORE. 703 00:33:36,316 --> 00:33:38,284 I MEAN, I PAINTED THEM FOR YOU. 704 00:33:38,318 --> 00:33:39,853 I'LL PUT THEM BACK UP. 705 00:33:39,886 --> 00:33:41,087 I DIDN'T REALIZE THEY'D MAKE YOU THIS UPSET. 706 00:33:41,121 --> 00:33:42,655 OH, NO NO NO. 707 00:33:42,689 --> 00:33:45,225 I DON'T WANT YOU TO HANG THEM IF YOU'RE EMBARRASSED. 708 00:33:53,166 --> 00:33:54,467 [DOOR SLAMS] 709 00:34:06,479 --> 00:34:08,281 GREAT. 710 00:34:08,314 --> 00:34:10,450 [MUSIC PLAYS] 711 00:34:10,483 --> 00:34:13,119 I HATE MY HAIR, I'M SO BLOATED. 712 00:34:13,153 --> 00:34:14,187 WELL, I HOPE YOU BRING THIS LOVELY MOOD 713 00:34:14,220 --> 00:34:15,555 TO THE PARTY. 714 00:34:20,160 --> 00:34:22,395 -HEY. -OH, COME ON. 715 00:34:22,429 --> 00:34:24,130 HEY. 716 00:34:24,164 --> 00:34:25,598 SO RICK'S HAVING THIS LITTLE BARBECUE THING 717 00:34:25,632 --> 00:34:27,267 AND YOU KNOW WHO'S GONNA BE THERE? 718 00:34:27,300 --> 00:34:29,436 HEY, ERIC. 719 00:34:29,469 --> 00:34:32,739 YEAH, IT'S JULES AND HER MOM'S BIRTHDAY PARTY TODAY, SO... 720 00:34:32,772 --> 00:34:34,908 -I GUESS YOU FORGOT. -SHIT. 721 00:34:34,941 --> 00:34:36,609 OKAY. SO WE'LL JUST GO TO THE BARBECUE 722 00:34:36,643 --> 00:34:38,511 AND THEN WE CAN GO TO YOUR PARTY THING AFTERWARD. 723 00:34:38,545 --> 00:34:40,347 -YEAH. -NO, PARTY ALREADY STARTED. 724 00:34:40,380 --> 00:34:42,182 WE'RE HEADING OUT NOW. 725 00:34:42,215 --> 00:34:43,616 YEAH. THIS IS SORT OF ABOUT HER CAREER THOUGH, SO... 726 00:34:43,650 --> 00:34:45,518 WELL, COULD WE GO TO MY PARTY IN LIKE AN HOUR? 727 00:34:45,552 --> 00:34:47,754 OKAY. 728 00:34:47,787 --> 00:34:49,422 JULES, YOU'RE KIDDING, RIGHT? 729 00:34:49,456 --> 00:34:50,924 -ARE YOU SERIOUS? -I'M GONNA GO SAY, "HI." 730 00:34:50,957 --> 00:34:51,925 AND THEN I'LL BE RIGHT BEHIND YOU. 731 00:34:51,958 --> 00:34:53,493 JULES... 732 00:34:53,526 --> 00:34:54,494 -NO. -I'LL BE RIGHT BEHIND YOU. 733 00:34:54,527 --> 00:34:56,162 ARE YOU FOR REAL? 734 00:35:00,367 --> 00:35:02,369 HI. 735 00:35:02,402 --> 00:35:04,437 YOU'RE A LITTLE OVERDRESSED FOR A BARBECUE. 736 00:35:04,471 --> 00:35:06,740 OH, I HAVE A THING AFTER THIS. 737 00:35:06,773 --> 00:35:09,242 IT'S MY MOM'S 60TH BIRTHDAY AND MY BIRTHDAY. 738 00:35:09,275 --> 00:35:11,945 WE WERE BORN ON THE SAME DAY. 739 00:35:11,978 --> 00:35:13,413 GOOD TALK. 740 00:35:14,681 --> 00:35:17,183 OKAY, SO BRECK'S HERE. 741 00:35:17,217 --> 00:35:18,418 AND SO IS GENEVIEVE. 742 00:35:18,451 --> 00:35:19,686 AND YOU MIGHT WANT TO AVOID THEM BOTH. 743 00:35:19,719 --> 00:35:21,454 WHY? 744 00:35:21,488 --> 00:35:23,456 I MIGHT HAVE TOLD HER YOU WERE SLEEPING WITH HIM. 745 00:35:23,490 --> 00:35:24,657 WHAT? WHY? 746 00:35:24,691 --> 00:35:26,292 I WANTED TO MAKE YOU LOOK GOOD, OKAY? 747 00:35:26,326 --> 00:35:27,527 I WAS A LITTLE OVER ZEALOUS. 748 00:35:27,560 --> 00:35:29,295 AND SHE'S PISSED? 749 00:35:29,329 --> 00:35:30,630 I WILL FIX THIS. 750 00:35:30,663 --> 00:35:32,632 LAST TIME YOU PARTIED WITH GENEVIEVE 751 00:35:32,665 --> 00:35:35,435 YOU SAID SHE WHACKED SOME GIRL IN THE HEAD WITH HER STILETTO 752 00:35:35,468 --> 00:35:36,569 BECAUSE SHE WAS FLIRTING WITH BRECK. 753 00:35:36,603 --> 00:35:39,439 YEAH, IT GOT BLOODY. 754 00:35:39,472 --> 00:35:40,674 I'M GONNA GO HIDE IN THE BATHROOM. 755 00:35:40,707 --> 00:35:42,442 OKAY. 756 00:35:48,581 --> 00:35:50,216 I'M NOT A FIGHTER. 757 00:35:50,250 --> 00:35:53,319 -I HAVE A PRETTY POWERFUL KICK THOUGH-- -OWW. 758 00:35:53,353 --> 00:35:55,288 OH, MY GOD, PLEASE. PLEASE DON'T HIT ME. 759 00:35:55,321 --> 00:35:56,389 I DIDN'T SLEEP WITH BRECK. 760 00:35:56,423 --> 00:35:58,258 SHUT UP. 761 00:35:58,291 --> 00:36:01,795 HOLY SHIT. IS THAT MY DRESS? 762 00:36:01,828 --> 00:36:04,264 THAT'S MY FUCKING DRESS. 763 00:36:04,297 --> 00:36:05,298 THAT DRESS WAS MADE FOR ME. 764 00:36:05,331 --> 00:36:07,734 DID BRECK GIVE IT TO YOU? 765 00:36:07,767 --> 00:36:09,569 TAKE IT OFF. 766 00:36:09,602 --> 00:36:13,506 CAN WE JUST GO TO THE BATHROOM AND TALK? 767 00:36:13,540 --> 00:36:14,708 TAKE IT OFF HERE. 768 00:36:24,484 --> 00:36:26,353 [PARTY GOERS GASP] 769 00:36:26,386 --> 00:36:27,721 IT'S MY DRESS. 770 00:36:27,754 --> 00:36:29,556 [MAN] OH, CAT FIGHT! 771 00:36:29,589 --> 00:36:31,791 -[CROWD GASPING] -STUPID FUCKING GIRL! 772 00:36:31,825 --> 00:36:34,461 -[MAN] DID YOU SEE THAT? -[WOMAN] LOOK AT HER GRANNY PANTIES. 773 00:36:34,494 --> 00:36:37,364 DON'T SLEEP WITH MY FUCKING BOYFRIEND. 774 00:36:56,383 --> 00:36:57,450 HEY. 775 00:36:57,484 --> 00:36:59,619 OH, HEY. 776 00:36:59,652 --> 00:37:01,855 ARE YOU OKAY? HERE TAKE THIS. 777 00:37:01,888 --> 00:37:03,490 AH. 778 00:37:03,523 --> 00:37:06,659 MAN, GEN IS WHACKED OUT OF HER MIND RIGHT NOW. 779 00:37:06,693 --> 00:37:08,595 SORRY YOU SOMEHOW GOT INVOLVED. 780 00:37:08,628 --> 00:37:11,531 OH, NO, 781 00:37:11,564 --> 00:37:13,066 I DIDN'T KNOW IT WAS HER DRESS, YOU KNOW. 782 00:37:13,099 --> 00:37:16,636 LIKE MY FRIEND MARA JUST GAVE IT TO ME. 783 00:37:16,670 --> 00:37:18,705 WELL, MARA JUST YELLED AT HER ON YOUR BEHALF. 784 00:37:18,738 --> 00:37:21,408 SHE'S TAKING HER HOME NOW SO... 785 00:37:21,441 --> 00:37:22,642 MARA'S MY RIDE. 786 00:37:22,676 --> 00:37:24,778 WELL, I CAN TAKE YOU HOME IF YOU WANT. 787 00:37:24,811 --> 00:37:27,714 UM. 788 00:37:27,747 --> 00:37:29,549 OH. SHIT. 789 00:37:29,582 --> 00:37:31,484 I MISSED MY BIRTHDAY PARTY. 790 00:37:31,518 --> 00:37:33,720 -IT'S YOUR BIRTHDAY TODAY? -YEAH. 791 00:37:33,753 --> 00:37:36,322 -AND YOU MISSED YOUR BIRTHDAY PARTY? -YEAH. 792 00:37:36,356 --> 00:37:37,590 UM... 793 00:37:37,624 --> 00:37:39,426 THEY PLANNED THIS EVENT FOR ME AND MY MOM. 794 00:37:39,459 --> 00:37:41,361 AND I... 795 00:37:41,394 --> 00:37:43,863 DIDN'T SHOW UP. 796 00:37:43,897 --> 00:37:45,565 THAT SUCKS. 797 00:37:45,598 --> 00:37:47,567 YEAH, IT DOES. 798 00:37:50,470 --> 00:37:53,406 UM, OH. AH... 799 00:37:53,440 --> 00:37:56,843 I'M NOT WEIRD, JUST IGNORE MY UNDERWEAR. 800 00:37:56,876 --> 00:37:58,778 I'M ON MY PERIOD, 801 00:37:58,812 --> 00:38:00,680 AND I DIDN'T WANNA WEAR MY SEXY UNDERWEAR 802 00:38:00,714 --> 00:38:02,649 'CAUSE IT GETS STAINED WHEN I'M LIKE HEAVY. 803 00:38:02,682 --> 00:38:04,484 I MEAN, I'M NOT NORMALLY LIKE HEAVY, HEAVY. 804 00:38:04,517 --> 00:38:05,919 I JUST... 805 00:38:05,952 --> 00:38:08,488 TOO MUCH INFORMATION. 806 00:38:08,521 --> 00:38:10,690 I... 807 00:38:10,724 --> 00:38:11,791 I JUST DON'T WANT YOU TO THINK 808 00:38:11,825 --> 00:38:13,693 I WAS LIKE A LITTLE GIRL. 809 00:38:13,727 --> 00:38:15,895 YEAH, NO. I DIDN'T THINK THAT. 810 00:38:15,929 --> 00:38:17,864 OH. GOOD. 811 00:38:38,618 --> 00:38:41,588 SO YOU HAVE A THING TONIGHT? 812 00:38:41,621 --> 00:38:43,423 YEAH, I HAVE THIS DUMB FUNCTION THING 813 00:38:43,456 --> 00:38:44,591 I HAVE TO GO TO. 814 00:38:44,624 --> 00:38:47,861 BUT I CAN HANG FOR A LITTLE BIT. 815 00:38:47,894 --> 00:38:49,629 MY... 816 00:38:49,662 --> 00:38:52,832 PLACE IS NOT AS BEAUTIFUL AS YOUR HOME. 817 00:38:52,866 --> 00:38:54,734 HMM. 818 00:38:54,768 --> 00:38:56,469 I'LL BE MOVING SOON. 819 00:38:56,503 --> 00:38:58,738 MAYBE LIKE VENICE OR... 820 00:38:58,772 --> 00:39:00,974 NO, IT'S NICE. I LIKE IT. 821 00:39:01,007 --> 00:39:03,476 IT'S CUTE. 822 00:39:06,212 --> 00:39:08,448 SO YOU'RE NOT A PHONE SEX GIRL, HUH? 823 00:39:11,584 --> 00:39:12,786 -NO. -NO? 824 00:39:12,819 --> 00:39:14,187 [BOTH CHUCKLE] 825 00:39:14,220 --> 00:39:15,755 YEAH. 826 00:39:15,789 --> 00:39:16,890 NO PHONE SEX FOR YOU? 827 00:39:16,923 --> 00:39:20,460 YEAH. I SAID THAT. 828 00:39:20,493 --> 00:39:21,695 WELL. 829 00:39:21,728 --> 00:39:24,864 OH, MY GOD. I FEEL SO EMBARRASSED. 830 00:39:24,898 --> 00:39:27,467 ANYWAY. I KNOW YOU KNOW THAT-- 831 00:39:27,500 --> 00:39:28,902 I MEAN, I THINK YOU'RE AN AMAZING ACTOR. 832 00:39:28,935 --> 00:39:33,740 BUT LIKE SERIOUSLY, IN THAT LAST FILM YOU DID 833 00:39:33,773 --> 00:39:36,409 YOU DID THAT SCENE, LIKE WHEN YOUR MOM HIT YOU. 834 00:39:38,878 --> 00:39:40,780 I REALLY... 835 00:39:40,814 --> 00:39:44,517 LIKE I REALLY THOUGHT LIKE YOU HAD ACTUALLY BEEN ABUSED. 836 00:39:45,952 --> 00:39:48,655 WELL, I KINDA WAS. 837 00:39:48,688 --> 00:39:51,858 WHAT DO YOU MEAN? 838 00:39:51,891 --> 00:39:53,927 I MEAN, I WAS KIND OF ABUSED. 839 00:39:53,960 --> 00:39:57,597 MY MOM USED TO HIT ME. 840 00:39:57,630 --> 00:39:59,499 SHE WAS A PSYCHOPATH, ACTUALLY. 841 00:39:59,532 --> 00:40:03,036 SHE WAS A... YEAH. 842 00:40:03,069 --> 00:40:06,239 I MEAN, I LEFT HOME WHEN I WAS 15. 843 00:40:06,272 --> 00:40:09,009 AND I HAVEN'T TALKED TO HER IN MAYBE 20 YEARS. 844 00:40:11,778 --> 00:40:14,814 I REALLY ADMIRE YOU. 845 00:40:14,848 --> 00:40:17,017 YOU DON'T EVEN KNOW ME. 846 00:40:17,050 --> 00:40:18,852 I KNOW THAT YOU GIVE PEOPLE YOUR COAT 847 00:40:18,885 --> 00:40:20,787 WHEN THEY'RE BASICALLY NAKED. 848 00:40:20,820 --> 00:40:22,055 WELL, THAT'S TRUE. 849 00:40:22,088 --> 00:40:25,558 -YEAH. -YEAH. I DO, I DO THAT. 850 00:40:25,592 --> 00:40:27,560 WELL, WHAT ABOUT YOU? 851 00:40:27,594 --> 00:40:29,262 YOU HAVE COOL PARENTS? 852 00:40:29,295 --> 00:40:32,032 UH, WELL MY DAD LEFT WHEN I WAS SEVEN. 853 00:40:32,065 --> 00:40:34,734 BUT BOTH MY PARENTS ARE ARTISTS. 854 00:40:34,768 --> 00:40:37,003 MY... MY DAD LEFT MY MOM 855 00:40:37,037 --> 00:40:39,806 'CAUSE HE COULDN'T HANDLE HER SUCCESS. 856 00:40:39,839 --> 00:40:43,009 HMM. THAT SUCKS. 857 00:40:43,043 --> 00:40:46,046 MY MOM ALWAYS SAYS, YOU HAVE TO STAY OPEN AFTER PAIN, 858 00:40:46,079 --> 00:40:48,982 SHE SAYS THAT'S WHAT ART IS ABOUT. 859 00:40:51,117 --> 00:40:54,754 [CHUCKLES] 860 00:40:56,856 --> 00:40:58,758 YOU'RE DIFFERENT THAN MOST GIRLS I MEET. 861 00:41:09,569 --> 00:41:11,805 I'M SORRY. 862 00:41:11,838 --> 00:41:13,773 THAT WAS WEIRD. 863 00:41:29,756 --> 00:41:31,057 [DOOR CLACKS] 864 00:41:34,828 --> 00:41:36,629 MM-HMM. 865 00:41:36,663 --> 00:41:38,898 I'LL BE RIGHT BACK. 866 00:41:38,932 --> 00:41:41,634 ERIC. ERIC. 867 00:41:41,668 --> 00:41:44,337 WILL YOU WAIT? 868 00:41:44,371 --> 00:41:46,673 [WHISPERS] NICE JACKET. 869 00:42:07,227 --> 00:42:10,630 OH, GOD. 870 00:42:10,663 --> 00:42:14,367 SO I LIKE TO MAKE VISION BOARDS. 871 00:42:14,401 --> 00:42:16,202 IT'S A COMPLIMENT. 872 00:42:16,236 --> 00:42:19,005 YOU'RE WEIRD. IT'S NOT A BAD THING. 873 00:42:22,742 --> 00:42:26,813 [MUSIC PLAYS] 874 00:42:26,846 --> 00:42:29,849 I CAN BE WILD. 875 00:42:29,883 --> 00:42:31,785 OH, YEAH? 876 00:42:31,818 --> 00:42:34,688 DO YOU WANT TO THROW ME UP AGAINST THE WALL? 877 00:42:34,721 --> 00:42:36,022 [SMACKS] 878 00:42:36,056 --> 00:42:37,824 [CHUCKLES] 879 00:42:37,857 --> 00:42:41,661 [MUSIC CONTINUES] 880 00:42:52,005 --> 00:42:54,708 JUST A REMINDER, I'M ON MY PERIOD. 881 00:42:54,741 --> 00:42:56,843 OH, YEAH. 882 00:42:56,876 --> 00:43:00,146 WANNA TAKE THIS TO THE SHOWER? 883 00:43:00,180 --> 00:43:02,115 ONE PROBLEM, 884 00:43:02,148 --> 00:43:04,084 IF I GET MY HAIR WET, I HAVE TO IMMEDIATELY BLOW IT DRY 885 00:43:04,117 --> 00:43:06,152 BECAUSE OTHERWISE IT GETS FRIZZY. 886 00:43:06,186 --> 00:43:09,889 AND THEN ONCE ITS DRY I HAVE TO IMMEDIATELY PUT IN VELCRO ROLLERS. 887 00:43:09,923 --> 00:43:11,791 OKAY. 888 00:43:11,825 --> 00:43:16,162 [MUSIC CONTINUES] 889 00:43:16,196 --> 00:43:19,766 [PHONE BUZZES] 890 00:43:22,302 --> 00:43:24,671 I HAVE TO GO, I'M SORRY, I'M REALLY LATE. 891 00:43:24,704 --> 00:43:26,006 THEY KEEP CALLING ME. 892 00:43:26,039 --> 00:43:28,074 -YOU HAVE TO LEAVE RIGHT NOW? -YEAH. 893 00:43:28,108 --> 00:43:31,011 -OKAY. -SORRY. 894 00:43:31,044 --> 00:43:32,746 YOU'RE SO CUTE. 895 00:43:34,080 --> 00:43:37,050 I HAVE YOUR NUMBER, I'LL CALL YOU, OKAY? 896 00:43:52,032 --> 00:43:53,700 [DOOR CLACKS] 897 00:43:57,871 --> 00:43:59,105 ERIC SAID YOU WERE SICK. 898 00:44:08,181 --> 00:44:10,950 150 PEOPLE 899 00:44:10,984 --> 00:44:13,753 SHOWED UP YESTERDAY TO CELEBRATE OUR BIRTHDAY. 900 00:44:13,787 --> 00:44:15,789 CELEBRATE? THAT I'M 30 YEARS OLD, 901 00:44:15,822 --> 00:44:17,957 AND IN THE EXACT SAME PLACE I WAS AT 21. 902 00:44:20,093 --> 00:44:23,329 YOU HAVE GOT TO STOP BEING SO HARD ON YOURSELF. 903 00:44:23,363 --> 00:44:25,999 WHERE YOU ARE IN YOUR CAREER IS PERFECT. 904 00:44:26,032 --> 00:44:27,867 YOU SOLD YOUR FIRST PAINTING AT 21. 905 00:44:27,901 --> 00:44:30,804 YOU HAVE TO TRUST THAT THE RIGHT ROLES ARE COMING. 906 00:44:30,837 --> 00:44:32,138 PLEASE DON'T SCHOOL ME ABOUT AN INDUSTRY 907 00:44:32,172 --> 00:44:35,775 YOU KNOW NOTHING ABOUT. 908 00:44:35,809 --> 00:44:37,811 I KNOW ABOUT BEING AN ARTIST. 909 00:44:37,844 --> 00:44:40,213 AND IT'S NOT ABOUT BEING PERFECT. 910 00:44:40,246 --> 00:44:42,949 IT'S ABOUT PEELING AWAY THE LAYERS 911 00:44:42,982 --> 00:44:44,951 AND SHOWING SOMETHING INSIDE 912 00:44:44,984 --> 00:44:47,187 THAT PEOPLE CAN RELATE TO. 913 00:44:47,220 --> 00:44:49,356 YOU'RE CONSTANTLY ON MY CASE ABOUT THE KIND OF WOMAN I SHOULD BE. 914 00:44:49,389 --> 00:44:52,125 I'M NEVER GOING TO LIVE UP TO YOUR EXPECTATIONS. 915 00:44:52,158 --> 00:44:54,194 HONEY, I DON'T HAVE ANY EXPECTATIONS. 916 00:44:54,227 --> 00:44:56,029 WHENEVER I'M AROUND YOU, I FEEL SMALL 917 00:44:56,062 --> 00:44:57,897 AND I'M DONE FEELING THAT WAY. 918 00:44:57,931 --> 00:45:00,066 I'M FINALLY MAKING THINGS HAPPEN FOR MYSELF, 919 00:45:00,100 --> 00:45:02,102 AND I'M NOT GONNA FEEL BAD ABOUT IT. 920 00:45:02,135 --> 00:45:04,270 I NEED TO FOCUS ON ME RIGHT NOW. 921 00:45:04,304 --> 00:45:08,141 AND I THINK IT'S BEST IF WE DON'T SEE EACH OTHER FOR A WHILE. 922 00:45:12,045 --> 00:45:14,848 I MIGHT BE SMALL. 923 00:45:14,881 --> 00:45:16,249 [GRUNTS] 924 00:45:16,282 --> 00:45:18,084 OH, I MIGHT BE SMALL. 925 00:45:22,389 --> 00:45:26,793 WHENEVER YOU'RE READY. 926 00:45:26,826 --> 00:45:29,929 I MIGHT BE SMALL BUT I'M STRONG, SIR. 927 00:45:29,963 --> 00:45:31,264 YOU DON'T HAVE WHAT IT TAKES. 928 00:45:31,297 --> 00:45:32,866 THAT'S BULLSHIT, SIR. 929 00:45:32,899 --> 00:45:34,267 I'M SORRY, BUT IT IS. 930 00:45:34,300 --> 00:45:36,136 GIVE ME A CHANCE TO PROVE YOU WRONG. 931 00:45:36,169 --> 00:45:40,006 AND I'LL SHOW YOU THAT I CAN DO IT. 932 00:45:40,040 --> 00:45:41,941 WATCH OUT, SIR. 933 00:45:41,975 --> 00:45:43,309 I WANNA FIGHT FOR MY COUNTRY. 934 00:45:46,880 --> 00:45:49,049 ONE. 935 00:45:49,082 --> 00:45:50,383 TWO. 936 00:45:52,852 --> 00:45:55,021 THREE. 937 00:45:55,055 --> 00:45:57,023 YEAH. 938 00:45:57,057 --> 00:45:59,426 GET OUT OF OFFICE AND PACK YOUR BAGS, THAT'S AN ORDER. 939 00:45:59,459 --> 00:46:01,928 YOU'RE MAKING A BIG MISTAKE, SIR. 940 00:46:07,200 --> 00:46:11,071 WELL, YOU'RE THE FIRST TO DO PUSHUPS. 941 00:46:11,104 --> 00:46:15,308 SHE'LL DO WHATEVER IT TAKES TO BE TAKEN SERIOUSLY. 942 00:46:15,342 --> 00:46:17,177 DID RICK TELL YOU THIS SHOW IS MODELED 943 00:46:17,210 --> 00:46:19,145 AFTER THE MOVIE, "PRIVATE BENJAMIN"? 944 00:46:19,179 --> 00:46:21,348 YES. BUT I WAS INSPIRED 945 00:46:21,381 --> 00:46:24,184 BY HILARY SWANK'S OSCAR WINNING PERFORMANCE IN, "BOYS DON'T CRY." 946 00:46:24,217 --> 00:46:27,020 I THOUGHT IT WAS A STRONGER CHOICE. 947 00:46:27,053 --> 00:46:30,357 I RESPECT YOUR CHOICE, BUT THIS CHARACTER IS BUBBLY 948 00:46:30,390 --> 00:46:32,292 AND VERY MUCH LIKES BEING A GIRL. 949 00:46:32,325 --> 00:46:33,860 THANK YOU FOR COMING IN. 950 00:46:33,893 --> 00:46:35,128 I CAN DO IT AGAIN THE WAY YOU WANT. 951 00:46:35,161 --> 00:46:36,629 WE'RE OUT OF TIME. 952 00:46:36,663 --> 00:46:38,064 OH... 953 00:46:41,034 --> 00:46:42,235 THAT WAS AWESOME. 954 00:46:45,071 --> 00:46:46,239 THAT WAS AWESOME. 955 00:46:54,114 --> 00:46:56,349 YOU DON'T WORK UNTIL NOVEMBER, YOU DON'T GO... 956 00:46:56,383 --> 00:46:59,052 WHICH IS WHY I WANNA SPEND THIS TIME WORKING WITH THIS DIRECTOR. 957 00:46:59,085 --> 00:47:01,287 THERE'S NO MONEY IN THERE. 958 00:47:01,321 --> 00:47:02,956 [MAN] I WANT TO AT LEAST GIVE IT A SHOT. 959 00:47:02,989 --> 00:47:04,257 I UNDERSTAND. 960 00:47:04,290 --> 00:47:06,926 -HI. -I TOLD YOU NOT TO DRIVE HERE. 961 00:47:06,960 --> 00:47:08,395 I WAS TRYING TO MAKE A STRONG CHOICE-- 962 00:47:08,428 --> 00:47:11,097 I-- LA LA LA LA. ZIP IT. ZIP IT. 963 00:47:11,131 --> 00:47:12,932 YOU WERE TRYING. 964 00:47:12,966 --> 00:47:14,267 YOU WERE TRYING. YOU DON'T TRUST YOURSELF. 965 00:47:14,300 --> 00:47:16,369 THEREFORE, YOUR WORK IS NOT COMPELLING. OKAY? 966 00:47:16,403 --> 00:47:18,238 AND LIKE I TOLD YOU ON THE PHONE, 967 00:47:18,271 --> 00:47:21,975 WHEN I TOLD YOU NOT TO DRIVE OVER HERE TO MY OFFICE. 968 00:47:22,008 --> 00:47:23,977 I CANNOT REPRESENT YOU. 969 00:47:24,010 --> 00:47:25,912 I CAN GET A JOB. 970 00:47:25,945 --> 00:47:28,214 I GAVE YOU TWO CHANCES. 971 00:47:28,248 --> 00:47:30,417 YOU BLEW THEM. 972 00:47:30,450 --> 00:47:32,952 LEAVE. 973 00:47:41,494 --> 00:47:44,431 -WHO IS THAT? -THAT? THAT IS NO ONE. THAT IS NO ONE. 974 00:47:47,300 --> 00:47:50,136 [MUSICAL RINGTONE PLAYS] 975 00:47:54,174 --> 00:47:56,176 [MUSICAL RINGTONE PLAYS] 976 00:48:01,748 --> 00:48:05,018 HEY. 977 00:48:05,051 --> 00:48:09,022 OH, IT'S COOL. I FIGURED YOU WERE BUSY. 978 00:48:09,055 --> 00:48:10,223 TODAY? 979 00:48:10,256 --> 00:48:11,991 YEAH. 980 00:48:12,025 --> 00:48:15,328 I'M-- OKAY. OKAY. 981 00:48:15,362 --> 00:48:18,131 BYE. 982 00:48:18,164 --> 00:48:20,100 BRECK WANTS TO HANG OUT TODAY. 983 00:48:20,133 --> 00:48:22,969 [MUSIC PLAYS] 984 00:48:27,040 --> 00:48:30,010 HE'S ON HIS WAY AND HE DOESN'T KNOW I'M HERE. 985 00:48:58,071 --> 00:49:00,373 [SNORES] 986 00:49:00,407 --> 00:49:02,409 [DOOR CLANKS] 987 00:49:02,442 --> 00:49:04,544 [BRECK] GEN, YOU CAN'T KEEP COMING IN AND OUT OF MY LIFE 988 00:49:04,577 --> 00:49:07,047 -LIKE THIS. -GENEVIEVE'S HERE. 989 00:49:07,080 --> 00:49:08,481 [BRECK] I THOUGHT YOU WERE IN NEW YORK. 990 00:49:08,515 --> 00:49:10,083 WITH A NEW GUY. 991 00:49:10,116 --> 00:49:11,551 [GENEVIEVE] I MISSED YOU. 992 00:49:11,584 --> 00:49:13,353 [BRECK] GENEVIEVE, YOU HAVE TO GO. I HAVE SOMEONE... 993 00:49:13,386 --> 00:49:15,088 [GENEVIEVE] YOU'RE FUCKING SOMEBODY ELSE? 994 00:49:15,121 --> 00:49:16,322 [BRECK] YOU AND I ARE NOT TOGETHER, 995 00:49:16,356 --> 00:49:18,324 YOU CHEATED ON ME, YOU REMEMBER THAT? 996 00:49:18,358 --> 00:49:20,293 [GENEVIEVE] MARA SAID YOU LIKED THAT BLONDE GIRL FROM THE PARTY. 997 00:49:20,326 --> 00:49:22,462 [BRECK] MARA DOESN'T KNOW WHAT SHE'S TALKING ABOUT. 998 00:49:22,495 --> 00:49:25,065 [GENEVIEVE] SHE'S A NOBODY, NOT TO MENTION SHE LOOKS LIKE SHE'S 12. 999 00:49:25,098 --> 00:49:27,133 [BRECK] I'M NOT WITH HER! 1000 00:49:27,167 --> 00:49:30,370 [GENEVIEVE] THAT'S GONNA DO WONDERS FOR YOUR CAREER, BABE. 1001 00:49:30,403 --> 00:49:32,472 [BRECK] I HUNG OUT WITH HER ONE NIGHT. 1002 00:49:32,505 --> 00:49:35,208 ONE NIGHT. AND I WAS BORED. 1003 00:49:35,241 --> 00:49:36,509 [WHIMPERS] 1004 00:49:36,543 --> 00:49:37,644 [GENEVIEVE] THEN YOU DON'T LIKE HER? 1005 00:49:37,677 --> 00:49:39,813 [BRECK] I DON'T EVEN KNOW HER. 1006 00:49:39,846 --> 00:49:41,448 [CRIES] 1007 00:49:41,481 --> 00:49:43,550 AHH. 1008 00:50:00,700 --> 00:50:03,136 GIVE ME ONE MORE CHANCE. 1009 00:50:03,169 --> 00:50:04,404 I'M NOT ASKING TO BE YOUR CLIENT, 1010 00:50:04,437 --> 00:50:06,239 I'M ASKING FOR ONE MORE AUDITION. 1011 00:50:06,272 --> 00:50:08,074 YOU'RE A ROOKIE. 1012 00:50:08,108 --> 00:50:09,476 YOU SAID YOU WERE LOOKING FOR SOMEONE WHO WAS PASSIONATE 1013 00:50:09,509 --> 00:50:12,112 AND PERSISTENT ENOUGH TO LAST IN THIS BUSINESS. 1014 00:50:12,145 --> 00:50:15,281 I AM THAT PERSON. 1015 00:50:15,315 --> 00:50:17,417 I'M NOT GIVING UP SO WE CAN DO THIS AGAIN TOMORROW. 1016 00:50:17,450 --> 00:50:20,854 DO NOT THROW A TANTRUM IN MY OFFICE. 1017 00:50:20,887 --> 00:50:23,223 HAVEN'T YOU EVER WANTED SOMETHING SO BAD, 1018 00:50:23,256 --> 00:50:25,325 THAT YOU MESSED IT UP? 1019 00:50:27,327 --> 00:50:29,162 ONE LAST SHOT. 1020 00:50:34,434 --> 00:50:36,169 [TAPPING] 1021 00:50:46,479 --> 00:50:49,482 ARE WE NOT FRIENDS ANYMORE? 1022 00:50:49,516 --> 00:50:53,286 I AM MOVING BACK TO SEATTLE. 1023 00:50:53,319 --> 00:50:55,155 WHEN WERE YOU GONNA TELL ME? 1024 00:50:55,188 --> 00:50:57,624 I JUST DID. 1025 00:50:57,657 --> 00:50:59,225 IT ALL JUST HAPPENED, JULES. 1026 00:50:59,259 --> 00:51:01,895 SO YOU'RE GIVING UP ON ACTING? 1027 00:51:01,928 --> 00:51:03,396 WHAT ACTING? 1028 00:51:03,430 --> 00:51:05,331 RIGHT NOW, I'M IN A HOT DOG SUIT. 1029 00:51:05,365 --> 00:51:07,267 WE PROMISED EACH OTHER WE WEREN'T GONNA SETTLE 1030 00:51:07,300 --> 00:51:08,668 WITH SOME PLAN-B CAREER. 1031 00:51:08,702 --> 00:51:11,404 I'M MAKING A LIVING AS A HUMAN BILLBOARD. 1032 00:51:11,438 --> 00:51:15,508 ME TOO. BUT WE'RE MAKING 150 FOR THREE HOURS WHICH IS AMAZING. 1033 00:51:15,542 --> 00:51:17,210 AND IT'S JUST UNTIL WE MAKE IT. 1034 00:51:17,243 --> 00:51:18,578 YOU MISSED YOUR OWN PARTY 1035 00:51:18,611 --> 00:51:20,747 TO GO HAVE SEX WITH SOME CELEBRITY. 1036 00:51:20,780 --> 00:51:22,749 LIKE, I'M NOT REALLY SURE WHAT 1037 00:51:22,782 --> 00:51:25,151 OR WHO YOUR PRIORITIES ARE ANYMORE. 1038 00:51:25,185 --> 00:51:28,488 WE DIDN'T HAVE SEX, BUT THANK YOU FOR THINKING SO HIGHLY OF ME. 1039 00:51:28,521 --> 00:51:31,157 I DO THINK HIGHLY OF YOU. 1040 00:51:32,625 --> 00:51:36,696 ARE YOU GOING TO SEATTLE BECAUSE YOU'RE MAD AT ME? 1041 00:51:36,730 --> 00:51:40,266 NOT EVERYTHING IS ABOUT YOU, JULES. 1042 00:51:50,543 --> 00:51:52,145 [MAN] WHERE'S YOUR FRIEND? 1043 00:52:01,388 --> 00:52:04,224 RICK GOT ME AN AUDITION. 1044 00:52:04,257 --> 00:52:06,159 [MUSICAL RINGTONE PLAYS] 1045 00:52:11,765 --> 00:52:14,267 WHAT? 1046 00:52:14,300 --> 00:52:17,604 I HAVE TO DO A SOUTH AFRICAN ACCENT. 1047 00:52:17,637 --> 00:52:20,306 HE DID THIS ON PURPOSE. 1048 00:52:25,779 --> 00:52:27,247 I'LL LEARN IT. 1049 00:52:27,280 --> 00:52:29,315 I HAVE FOUR DAYS. 1050 00:52:29,349 --> 00:52:31,184 I CAN DO THIS. 1051 00:52:32,018 --> 00:52:34,554 OOH, GOOD. 1052 00:52:34,587 --> 00:52:36,489 [SOUTH AFRICAN ACCENT] MAXIE, DO YOU BELIEVE I'M FROM SOUTH AFRICA? 1053 00:52:36,523 --> 00:52:38,792 DON'T MESS WITH ME. 1054 00:52:38,825 --> 00:52:42,629 I'VE-- I'VE WORKED-- I'VE WORKED IN THIS TOWNSHIP FOR 15 YEARS. 1055 00:52:42,662 --> 00:52:45,532 YEARS... YEARS. 1056 00:52:45,565 --> 00:52:48,702 AFRICA. THIS IS AFRICA. T-I-A. 1057 00:52:48,735 --> 00:52:50,403 T-I-A. 1058 00:52:50,437 --> 00:52:52,305 [MUSIC PLAYS] 1059 00:52:52,339 --> 00:52:54,841 [MAN] I LIKE THOSE BUNS. 1060 00:52:54,874 --> 00:52:56,343 WILL YOU VISUALIZE ME 1061 00:52:56,376 --> 00:52:59,579 DOING GREAT AT MY AUDITION TOMORROW? 1062 00:52:59,612 --> 00:53:01,414 IT'LL HELP IF YOU BELIEVE IN ME TOO. 1063 00:53:08,855 --> 00:53:10,824 ARE YOU DOING IT? 1064 00:53:10,857 --> 00:53:12,459 [SOUTH AFRICAN ACCENT] DON'T MESS WITH ME. 1065 00:53:12,492 --> 00:53:13,460 I'VE WORKED IN THIS TOWNSHIP-- 1066 00:53:13,493 --> 00:53:15,829 TOWNSHIP... 1067 00:53:15,862 --> 00:53:18,498 I'VE WORKED IN THIS TOWNSHIP FOR 15 YEARS. 1068 00:53:18,531 --> 00:53:21,568 YOU CAN'T JUST COME IN HERE WITH YOUR NEW IDEAS. 1069 00:53:21,601 --> 00:53:23,370 YES. T-I-A. 1070 00:53:29,676 --> 00:53:31,544 I BROUGHT YOU A GIFT. 1071 00:53:31,578 --> 00:53:34,314 YOU DON'T LOOK DESPERATE. 1072 00:53:34,347 --> 00:53:36,483 WELL, SET IT DOWN. 1073 00:53:36,516 --> 00:53:39,552 LOOK, HONEY, I'M GONNA TELL YOU SOMETHING HERE. 1074 00:53:39,586 --> 00:53:43,823 A WOMAN IN THIS INDUSTRY HAS TO BE STRONG AND BRAVE 1075 00:53:43,857 --> 00:53:46,493 AND DON'T EVER BRING ME FLOWERS. 1076 00:53:46,526 --> 00:53:48,628 I HATE PLANTS. 1077 00:53:48,661 --> 00:53:50,864 I MEAN, BLACK THUMBS DOWN TO THAT AS A GIFT. 1078 00:53:50,897 --> 00:53:52,799 LIKE PET PEEVE, THEY TRACT DIRT. 1079 00:53:52,832 --> 00:53:55,068 THERE'S... THERE'S A LIST... I DON'T HAVE TIME. 1080 00:53:55,101 --> 00:53:56,503 YOU DON'T HAVE TIME-- LET'S DO THE SCENE. 1081 00:53:56,536 --> 00:53:57,637 AND I BET YOU'RE OFF BOOK 1082 00:53:57,671 --> 00:53:59,472 SO LET'S START NOW AND... 1083 00:54:02,108 --> 00:54:03,543 GO. 1084 00:54:06,413 --> 00:54:08,381 [SOUTHERN ACCENT] DON'T MESS WITH ME? 1085 00:54:08,415 --> 00:54:10,850 I'VE WORKED IN THIS TOWNSHIP FOR 15 YEARS. 1086 00:54:10,884 --> 00:54:13,386 SOUTHERN. THAT'S A SOUTHERN ACCENT. 1087 00:54:13,420 --> 00:54:15,088 IT'S SOUTH AFRICAN. 1088 00:54:15,121 --> 00:54:16,790 OH, YEAH. SOMETIMES IT TAKES ME A MINUTE TO FIND IT. 1089 00:54:16,823 --> 00:54:19,926 THAT'S OKAY. WE'LL DO IT AGAIN. 1090 00:54:19,959 --> 00:54:21,661 [BRITISH ACCENT] DON'T MESS WITH ME. 1091 00:54:21,695 --> 00:54:24,798 I'VE WORKED IN THIS TOWNSHIP FOR 15 YEARS. 1092 00:54:24,831 --> 00:54:27,534 YOU CAN'T JUST COME IN HERE WITH YOUR NEW IDEAS-- 1093 00:54:27,567 --> 00:54:29,769 [COCKNEY ACCENT] THAT'S... THAT'S ENGLISH, INNIT? 1094 00:54:29,803 --> 00:54:30,837 YEAH. 1095 00:54:30,870 --> 00:54:33,406 [PENCIL SCRATCHES] 1096 00:54:33,440 --> 00:54:36,643 -[RUSSIAN ACCENT] DON'T-- -I DON'T KNOW WHAT THAT IS. 1097 00:54:36,676 --> 00:54:38,645 NEVER HEARD IT. 1098 00:54:38,678 --> 00:54:41,948 [GERMAN ACCENT] I'VE WORKED IN THIS TOWNSHIP FOR 15 YEARS. 1099 00:54:41,981 --> 00:54:43,783 YOU CAN'T JUST COME IN HERE-- 1100 00:54:43,817 --> 00:54:45,685 I'M JUST TRANSITIONING. 1101 00:54:45,719 --> 00:54:47,354 I'M-- 1102 00:54:47,387 --> 00:54:50,523 CHANGE AWAY. 1103 00:54:50,557 --> 00:54:54,961 [PENCIL SCRATCHING] 1104 00:54:54,994 --> 00:54:56,730 CAN YOU STOP WRITING? 1105 00:54:56,763 --> 00:54:57,897 EXCUSE ME? 1106 00:54:57,931 --> 00:54:59,432 I JUST CAN'T FOCUS. 1107 00:54:59,466 --> 00:55:01,568 OH, THIS IS THE PROBLEM. 1108 00:55:01,601 --> 00:55:05,438 HA-HA. THIS IS THE PROBLEM. 1109 00:55:05,472 --> 00:55:06,673 OH, OKAY. 1110 00:55:17,650 --> 00:55:20,153 WHAT'S THAT? DID I-- ARE YOU? 1111 00:55:20,186 --> 00:55:22,389 DID YOU? DID I MISS SOMETHING? 1112 00:55:25,625 --> 00:55:26,860 SORRY. 1113 00:55:30,463 --> 00:55:33,500 I'M WASTING YOUR TIME. 1114 00:55:33,533 --> 00:55:35,168 -I MEAN REALLY SORRY-- -OH. 1115 00:55:35,201 --> 00:55:37,470 -OH SHOOT. -YOU KNOW WHAT, NO NO NO NO NO. 1116 00:55:37,504 --> 00:55:38,805 GO AHEAD, IT'S TO BE EXPECTED, YOU DIDN'T JUST LEAVE IT. 1117 00:55:38,838 --> 00:55:40,540 THAT'S GREAT. YOU LET YOURSELF OUT. 1118 00:55:40,573 --> 00:55:43,977 HAVE A GOOD DAY. BYE. GREAT JOB. YEP. MM-HMM. 1119 00:56:22,716 --> 00:56:24,984 I'M A GREAT ACTRESS. 1120 00:56:28,922 --> 00:56:30,557 [CRASHES] 1121 00:56:46,072 --> 00:56:47,941 I'M SORRY I LET YOU DOWN. 1122 00:56:51,978 --> 00:56:53,813 GOD, WHAT WERE YOU EVEN DOING THERE? 1123 00:56:53,847 --> 00:56:56,249 YOU AND BRECK HAVE BARELY EVEN KISSED. 1124 00:56:56,282 --> 00:56:57,650 I THOUGHT WE HAD A THING. 1125 00:56:57,684 --> 00:56:59,052 STILL JULES, YOU WERE TRESPASSING. 1126 00:56:59,085 --> 00:57:01,554 YOU WERE THE ONE THAT TOLD ME WHERE THE KEY WAS. 1127 00:57:01,588 --> 00:57:03,957 WELL, I REGRET THAT. 1128 00:57:03,990 --> 00:57:06,993 LOOK, WHATEVER, YOU'RE BETTER THAN GENEVIEVE ANYWAY. 1129 00:57:07,027 --> 00:57:08,862 SHE'S NOT EVEN THAT GOOD OF A KISSER. 1130 00:57:08,895 --> 00:57:10,964 WHEN WERE YOU WITH GIRLS? 1131 00:57:10,997 --> 00:57:13,033 IT WAS A REALLY BEAUTIFUL PHASE. 1132 00:57:13,066 --> 00:57:15,001 HAVE YOU EVER LIKED ME THAT WAY? 1133 00:57:15,035 --> 00:57:16,736 NO, YOU'RE NOT REALLY MY TYPE. 1134 00:57:16,770 --> 00:57:18,872 WHAT'S WRONG WITH ME? 1135 00:57:18,905 --> 00:57:20,573 WE'RE BOTH JUST FEM TOPS, YOU KNOW. SO IT WOULDN'T WORK. 1136 00:57:20,607 --> 00:57:23,743 GENEVIEVE WAS A FEM BOTTOM SO IT WORKED. 1137 00:57:23,777 --> 00:57:25,078 I'M A BOTTOM. 1138 00:57:25,111 --> 00:57:27,580 NO, I'M PRETTY SURE YOU'RE A TOP. 1139 00:57:27,614 --> 00:57:30,617 OH, MY GOD, WHAT ARE YOU DOING? 1140 00:57:30,650 --> 00:57:32,118 JULES, YOU DON'T HAVE TO HIDE BEHIND A WIG. 1141 00:57:32,152 --> 00:57:33,687 I TOLD RICK I WAS BRINGING YOU. 1142 00:57:33,720 --> 00:57:35,588 I'M GOING TO APOLOGIZE TO RICK. 1143 00:57:35,622 --> 00:57:40,126 DO NOT APOLOGIZE, OKAY? IT MAKES YOU LOOK WEAK. 1144 00:57:40,160 --> 00:57:45,999 * WHEN YOU'RE WISHFUL, IT SHOWS ME HOW GOOD IT GETS * 1145 00:57:46,032 --> 00:57:50,637 * WHY EVEN TRY WHEN WISHES AIN'T PROMISES? * 1146 00:57:52,138 --> 00:57:56,743 * I ROMANTICIZE JUST WHAT THIS REALLY IS * 1147 00:57:59,946 --> 00:58:01,014 IS IT DUMB TO THINK 1148 00:58:01,047 --> 00:58:03,616 MY DREAMS WILL STILL COME TRUE? 1149 00:58:03,650 --> 00:58:07,020 I'M LIKE... LIKE THAT "AMERICAN IDOL" PERSON 1150 00:58:07,053 --> 00:58:08,988 WHO THINKS THEY'RE TALENTED 1151 00:58:09,022 --> 00:58:11,658 BUT REALLY THEY'RE JUST EMBARRASSING THEMSELVES? 1152 00:58:25,138 --> 00:58:27,907 YOU KNOW, WHO'S MEAN? 1153 00:58:27,941 --> 00:58:29,743 LIKE REALLY MEAN. 1154 00:58:29,776 --> 00:58:31,611 LIKE REALLY, REALLY, REALLY MEAN. 1155 00:58:34,881 --> 00:58:36,683 I SAY THE MEANEST THINGS TO MYSELF 1156 00:58:36,716 --> 00:58:38,118 ABOUT MYSELF. 1157 00:58:55,802 --> 00:58:58,738 -HEY. -HEY. 1158 00:58:59,839 --> 00:59:01,808 I'M NOT A GOOD PERSON. 1159 00:59:03,410 --> 00:59:04,944 YOU KNOW THAT QUOTE, 1160 00:59:04,978 --> 00:59:08,815 MY MOM ALWAYS HAS THIS QUOTE ABOUT THE TIDES. 1161 00:59:08,848 --> 00:59:10,684 NO WAIT. 1162 00:59:10,717 --> 00:59:12,385 SHIPS RISING. 1163 00:59:12,419 --> 00:59:14,020 NO... 1164 00:59:14,054 --> 00:59:16,656 BOATS LIFT, YOU KNOW. 1165 00:59:16,690 --> 00:59:20,060 IT'S THAT IDEA THAT WHEN PEOPLE DO GOOD, YOU DO GOOD TOO. 1166 00:59:20,093 --> 00:59:21,728 BUT LIKE I DON'T FEEL GOOD 1167 00:59:21,761 --> 00:59:23,196 WHEN OTHER SHIPS ARE RISING. 1168 00:59:23,229 --> 00:59:26,833 I FEEL LIKE I'M DROWNING, YOU KNOW? 1169 00:59:26,866 --> 00:59:28,868 I JUST BOOKED AN HBO SERIES. 1170 00:59:31,871 --> 00:59:33,106 [SIGHS] 1171 00:59:33,139 --> 00:59:36,810 I'M REALLY NOT HAPPY FOR YOU. 1172 00:59:36,843 --> 00:59:39,979 I HAVE THIS LIKE DEEP AGONY OF WONDERING WHAT YOU'RE DOING RIGHT 1173 00:59:40,013 --> 00:59:41,648 AND WHAT I'M DOING WRONG. 1174 00:59:44,017 --> 00:59:46,152 I'M GONNA GRAB ANOTHER DRINK. 1175 00:59:53,159 --> 00:59:55,128 COOL HAIR. 1176 00:59:55,161 --> 00:59:57,197 THANK YOU. 1177 00:59:57,230 --> 01:00:00,100 I'M REALLY NOT GOOD COMPANY RIGHT NOW. 1178 01:00:00,133 --> 01:00:02,002 NO, I CAN'T IMAGINE THAT'S TRUE. 1179 01:00:02,035 --> 01:00:03,770 COME HERE. 1180 01:00:06,272 --> 01:00:09,642 FALCON WANTS TO LOOK AT YOU. 1181 01:00:17,150 --> 01:00:19,152 NOW YOU'RE DOING GOOD. 1182 01:00:21,054 --> 01:00:22,922 YOU FLY AWAY WITH ME? 1183 01:00:25,859 --> 01:00:28,028 COME ON. 1184 01:00:28,061 --> 01:00:32,265 * BUT TELL ME HOW MANY BROKEN HEARTS * 1185 01:00:32,298 --> 01:00:34,868 * DOES IT TAKE 1186 01:00:34,901 --> 01:00:37,203 * TO GET A BREAK? 1187 01:00:37,237 --> 01:00:39,773 OW. 1188 01:00:39,806 --> 01:00:43,076 WHERE ARE WE? 1189 01:00:51,184 --> 01:00:53,953 -SIT HERE? -YEAH. 1190 01:00:53,987 --> 01:00:57,824 I DON'T KNOW IF RICK LIKES TO HAVE PEOPLE DOWN HERE WITHOUT HIM. 1191 01:00:58,992 --> 01:01:00,226 HE'S MY AGENT. 1192 01:01:00,260 --> 01:01:02,295 HE DOESN'T CARE. 1193 01:01:02,328 --> 01:01:04,097 YOU'RE SO PRETTY. 1194 01:01:06,866 --> 01:01:09,169 I WANNA HAVE A ONE NIGHT STAND. [HICCUPS] 1195 01:01:10,970 --> 01:01:13,106 I CAN TOTALLY ASSIST YOU WITH THAT. 1196 01:01:21,948 --> 01:01:25,085 OH, I NEED YOU TO WEAR A CONDOM. 1197 01:01:25,118 --> 01:01:26,252 MAGIC TRICK. 1198 01:01:30,223 --> 01:01:31,224 [IMITATES EXPLOSION] 1199 01:01:31,257 --> 01:01:32,525 YEAH... 1200 01:01:32,559 --> 01:01:33,993 [LAUGHS] 1201 01:01:35,395 --> 01:01:39,232 FALCON'S GONNA FLY YOU TO THE MOON. 1202 01:01:39,265 --> 01:01:40,900 YOU'RE GONNA GET IT. 1203 01:01:40,934 --> 01:01:42,769 OH, WAIT, CAN YOU MAKE SURE 1204 01:01:42,802 --> 01:01:45,038 YOU DON'T GET CUM ON MY DRESS. 1205 01:01:45,071 --> 01:01:48,875 I NEED TO RETURN IT. 1206 01:01:48,908 --> 01:01:51,111 HEY. I THOUGHT BY NOW-- 1207 01:01:51,144 --> 01:01:52,545 HEY. I THOUGHT BY NOW 1208 01:01:52,579 --> 01:01:55,081 I'D BE IN A LOVING RELATIONSHIP 1209 01:01:55,115 --> 01:01:58,385 WHERE YOU WAKE UP AND GET COFFEE TOGETHER 1210 01:01:58,418 --> 01:01:59,986 AND YOU HAVE DIRTY HAIR. 1211 01:02:00,020 --> 01:02:01,888 CAN YOU PLEASE STOP TALKING? 1212 01:02:01,921 --> 01:02:05,025 SORRY. 1213 01:02:05,058 --> 01:02:07,227 [GROANS] 1214 01:02:09,596 --> 01:02:10,797 FUCK YEAH. 1215 01:02:10,830 --> 01:02:12,832 [PANTING] 1216 01:02:12,866 --> 01:02:14,134 HALF OF ME JUST WANTS TO BEAT THE SHIT OUT OF YOU RIGHT NOW. 1217 01:02:15,335 --> 01:02:18,138 AND THE OTHER HALF? 1218 01:02:18,171 --> 01:02:19,372 [GROANS] 1219 01:02:19,406 --> 01:02:21,241 OH, WHAT THE FUCK, RICK? 1220 01:02:21,274 --> 01:02:22,275 WHAT THE-- 1221 01:02:22,308 --> 01:02:24,177 OH SEE. I'M A BOTTOM. 1222 01:02:24,210 --> 01:02:26,279 WHAT IS WRONG WITH YOU? 1223 01:02:26,312 --> 01:02:28,848 THANK GOD. GET UP. 1224 01:02:28,882 --> 01:02:29,849 [RETCHES] 1225 01:02:29,883 --> 01:02:31,918 OH MY GOD, JULES. 1226 01:02:31,951 --> 01:02:33,420 I CAN'T THROW UP. 1227 01:02:33,453 --> 01:02:35,021 GET UP. 1228 01:02:35,055 --> 01:02:37,924 COME ON, I'M GONNA CALL YOU A CAR. 1229 01:02:39,859 --> 01:02:41,895 NO. OFF ME. 1230 01:03:08,088 --> 01:03:10,623 HEY. 1231 01:03:10,657 --> 01:03:13,927 WAKE WAKE WAKE. 1232 01:03:13,960 --> 01:03:15,862 HEY, LITTLE ONE. 1233 01:03:18,965 --> 01:03:20,333 OPEN YOUR EYES. 1234 01:03:24,671 --> 01:03:27,073 WHERE ARE WE? 1235 01:03:27,107 --> 01:03:30,877 STAYING AT MY GRANDMA'S PLACE FOR A FEW WEEKS. 1236 01:03:30,910 --> 01:03:32,212 [CHUCKLES] 1237 01:03:32,245 --> 01:03:35,448 YOU PASSED OUT ON ME LAST NIGHT. 1238 01:03:35,482 --> 01:03:36,983 DO YOU WANNA HAVE SEX? 1239 01:03:37,017 --> 01:03:39,219 I HAVE TO GO. 1240 01:03:39,252 --> 01:03:41,454 [CHUCKLES] 1241 01:03:41,488 --> 01:03:45,225 NO, BUT SERIOUSLY, DO YOU WANNA GIVE ME A BLOW JOB? 1242 01:03:45,258 --> 01:03:47,093 I HAVE TO GO. 1243 01:03:47,127 --> 01:03:48,428 HEY. 1244 01:03:48,461 --> 01:03:49,429 SHH SHH SHH. 1245 01:03:49,462 --> 01:03:51,097 HEY. 1246 01:03:51,131 --> 01:03:52,432 YOU SUCK. 1247 01:03:54,167 --> 01:03:56,970 I OBVIOUSLY DON'T MEAN THAT LITERALLY. 1248 01:03:57,003 --> 01:03:58,171 [OLD WOMAN] SHUT UP! 1249 01:03:58,204 --> 01:04:00,273 SORRY FOR YELLING, GRAMS. 1250 01:04:09,549 --> 01:04:11,151 [DRESS RIPS] 1251 01:04:43,450 --> 01:04:47,354 [PHONE RECORDING] JULIE, IT'S... IT'S LIZ. 1252 01:04:50,557 --> 01:04:53,159 SOMETHING'S HAPPENED AND... 1253 01:04:53,193 --> 01:04:56,463 YOU NEED TO COME TO THE HOSPITAL, SWEETIE. 1254 01:04:56,496 --> 01:04:59,366 UM... 1255 01:04:59,399 --> 01:05:02,268 YOUR MOM FELL DOWN THE STAIRS. 1256 01:05:02,302 --> 01:05:04,971 IN HER ART STUDIO. 1257 01:05:14,114 --> 01:05:16,349 [SHERRY IN PHONE RECORDING] JULIE, HONEY. 1258 01:05:16,383 --> 01:05:19,419 IT'S SHERRY. 1259 01:05:19,452 --> 01:05:22,255 YOUR MOM'S IN A COMA. 1260 01:05:23,556 --> 01:05:25,425 YOU NEED TO COME DOWN HERE, DEAR. 1261 01:05:28,228 --> 01:05:30,096 THE DOCTORS WANNA TALK TO YOU AND... 1262 01:05:37,804 --> 01:05:39,973 [MUSIC PLAYS] 1263 01:05:57,357 --> 01:06:00,160 [KNOCKING] 1264 01:06:05,832 --> 01:06:08,134 [KNOCKING] 1265 01:06:09,135 --> 01:06:10,403 IT'S OPEN. 1266 01:06:39,566 --> 01:06:41,167 [SNIFFLES] 1267 01:06:59,486 --> 01:07:03,423 SHE HASN'T EVEN EATEN THE FIRST ONE YET. 1268 01:07:03,456 --> 01:07:06,659 JULIE, WHY DON'T YOU COME WITH US TO THE HOSPITAL? 1269 01:07:06,693 --> 01:07:09,062 I'M GOOD HERE. 1270 01:07:12,132 --> 01:07:13,533 SO AUGUST... 1271 01:07:13,566 --> 01:07:16,569 DON'T MAKE MEANINGLESS CONVERSATION RIGHT NOW. 1272 01:07:16,603 --> 01:07:20,306 IT'S INSULTING. 1273 01:07:20,340 --> 01:07:22,175 [CRIES] I DON'T KNOW WHAT ELSE TO DO. 1274 01:07:22,208 --> 01:07:24,444 NEITHER DO I. 1275 01:07:24,477 --> 01:07:26,346 I THINK I'M GONNA BE SICK. 1276 01:07:26,379 --> 01:07:28,081 [SOBBING] 1277 01:07:35,288 --> 01:07:37,323 WILL YOU GUYS GO? 1278 01:07:37,357 --> 01:07:39,259 ARE YOU COMING WITH US? 1279 01:07:39,292 --> 01:07:42,696 ME STAYING AT THE HOSPITAL WON'T HELP. 1280 01:07:42,729 --> 01:07:46,366 THAT'S WHAT YOU DO WHEN YOU CARE ABOUT SOMEONE. 1281 01:07:46,399 --> 01:07:48,601 YOU SHOW UP AND YOU SIT THERE. 1282 01:07:48,635 --> 01:07:50,503 SHERRY... 1283 01:07:50,537 --> 01:07:51,604 BUT YOU DON'T KNOW ANYTHING ABOUT THAT DO YOU? 1284 01:07:51,638 --> 01:07:53,340 [LIZ WHISPERS] SHERRY... 1285 01:07:53,373 --> 01:07:55,675 [LIZ] I'M UPSET. LET ME TALK. 1286 01:07:55,709 --> 01:07:57,711 WE WAITED FOR YOU ALL DAY. 1287 01:07:57,744 --> 01:08:00,513 YOU DIDN'T EVEN CALL. 1288 01:08:00,547 --> 01:08:04,417 JUST LIKE WE WERE WAITING FOR YOU AT YOUR OWN PARTY. 1289 01:08:04,451 --> 01:08:06,753 WE PLANNED THAT PARTY FOR A MONTH. 1290 01:08:06,786 --> 01:08:09,322 YOUR MOTHER WAS HEARTBROKEN. 1291 01:08:11,524 --> 01:08:12,759 IF THIS WERE YOU, 1292 01:08:12,792 --> 01:08:15,395 SHE WOULD BE GLUED TO YOUR SIDE. 1293 01:08:15,428 --> 01:08:18,398 [VOICES ECHO] 1294 01:08:18,431 --> 01:08:20,266 I DON'T KNOW WHAT ELSE TO DO. 1295 01:08:20,300 --> 01:08:22,469 YOUR MOTHER WAS HEARTBROKEN. 1296 01:09:06,579 --> 01:09:08,548 JULES. HEY. 1297 01:09:08,581 --> 01:09:11,217 I WAS HOPING I'D RUN INTO YOU. 1298 01:09:11,251 --> 01:09:13,219 MY DEAR FRIEND, KYRA KNOWS YOU. 1299 01:09:13,253 --> 01:09:15,689 YEAH, YOU AUDITIONED FOR HER AS A MAN, OR SOMETHING. 1300 01:09:15,722 --> 01:09:17,424 OH, NO, BUT YEAH. 1301 01:09:17,457 --> 01:09:19,492 ANYWAYS, SHE'S PRODUCING THIS FILM 1302 01:09:19,526 --> 01:09:21,728 AND I READ THE SCRIPT AND I WAS THINKING OF YOU. 1303 01:09:21,761 --> 01:09:25,265 THERE'S THIS PART, IT'S JUST LIKE THE PART YOU PLAYED IN THE PLAY. 1304 01:09:25,298 --> 01:09:27,267 AND THEY'RE HAVING ALL THIS TROUBLE GETTING THE FILM MADE 1305 01:09:27,300 --> 01:09:28,601 AND THEY'RE RECASTING. 1306 01:09:28,635 --> 01:09:30,437 OKAY, SO RAVED ABOUT YOU. 1307 01:09:30,470 --> 01:09:32,238 SO JULES JENSON, RIGHT? 1308 01:09:32,272 --> 01:09:33,673 -YEAH. -OKAY. 1309 01:09:33,707 --> 01:09:35,709 WELL, SHE'S GONNA CALL YOU. 1310 01:09:35,742 --> 01:09:37,444 [GIGGLES] 1311 01:09:37,477 --> 01:09:38,611 THANK YOU. 1312 01:09:38,645 --> 01:09:40,280 BREAK A LEG. 1313 01:09:44,584 --> 01:09:46,753 [MUSIC PLAYS] 1314 01:09:59,366 --> 01:10:02,268 [PHONE BUZZES] 1315 01:10:08,808 --> 01:10:10,777 [WHIRRING] 1316 01:10:39,539 --> 01:10:41,708 * WHAT IS RIGHT AND WHAT IS WRONG? * 1317 01:10:41,741 --> 01:10:43,843 * BY THE LAW, BY THE LAND 1318 01:10:43,877 --> 01:10:45,845 * WHAT IS RIGHT AND WHAT IS WRONG? * 1319 01:10:45,879 --> 01:10:47,681 * BY THE LAW 1320 01:10:51,418 --> 01:10:53,787 I CAN'T GET READY WITH YOU WATCHING ME. 1321 01:10:53,820 --> 01:10:56,656 * TELL HER STAY 1322 01:10:56,690 --> 01:11:01,795 * AND LIGHTER SCHEMES ALONE ADORE THE RISING SUN * 1323 01:11:01,828 --> 01:11:04,798 * AND LEAVE A GIRL UNDONE, TO HER FATE * 1324 01:11:04,831 --> 01:11:08,368 * TO HER FATE AND LEAVE A GIRL UNDONE... * 1325 01:11:08,401 --> 01:11:09,736 [SIGHS] 1326 01:11:16,576 --> 01:11:18,678 HI, GUYS, HI. 1327 01:11:18,712 --> 01:11:19,746 -HEY. -HEY. 1328 01:11:19,779 --> 01:11:20,814 I KNOW YOU. 1329 01:11:20,847 --> 01:11:22,716 THIS IS JULES JENSON. 1330 01:11:22,749 --> 01:11:24,484 I'M NOT SURE WHAT CHOICES YOU MADE FOR THIS, 1331 01:11:24,517 --> 01:11:25,685 BUT I CAN TELL YOU RIGHT NOW 1332 01:11:25,719 --> 01:11:29,122 THE WIG IS NOT RIGHT FOR THIS ROLE. 1333 01:11:29,155 --> 01:11:30,724 SO... WELL. 1334 01:11:30,757 --> 01:11:33,526 SEE I HAD THIS BRILLIANT IDEA TO DYE MY HAIR, 1335 01:11:33,560 --> 01:11:35,128 AND THEN IT TURNED OUT TO BE AN AWFUL IDEA. 1336 01:11:35,161 --> 01:11:36,429 SO... 1337 01:11:36,463 --> 01:11:37,931 UM... 1338 01:11:37,964 --> 01:11:39,866 I'LL JUST TAKE IT OFF. 1339 01:11:42,435 --> 01:11:44,437 ALL RIGHT. WE'RE TAPING THIS. 1340 01:11:44,471 --> 01:11:45,972 BRECK IS PLAYING THE ROLE OF ZACH IN THE FILM. 1341 01:11:46,006 --> 01:11:48,708 SO YOU'LL BE READING WITH HIM. 1342 01:11:48,742 --> 01:11:50,377 -YOU READY? -YEAH. 1343 01:11:53,913 --> 01:11:58,618 SHE'S SERIOUS, ZACH. SHE'S GOING TO MAKE ME GO TO COLORADO. 1344 01:11:58,651 --> 01:12:00,653 AH. CAN I START AGAIN? 1345 01:12:00,687 --> 01:12:03,456 SURE. 1346 01:12:03,490 --> 01:12:07,627 [SIGHS] 1347 01:12:07,660 --> 01:12:08,895 SHE'S SERIOUS, ZACH. 1348 01:12:08,928 --> 01:12:12,599 SHE'S GOING TO MAKE ME GO TO COLORADO. 1349 01:12:12,632 --> 01:12:14,601 SHE'S SERIOUS, ZACH. 1350 01:12:14,634 --> 01:12:16,636 SHE'S GOING TO MAKE ME TO GO COLORADO. 1351 01:12:16,670 --> 01:12:19,005 SHE... 1352 01:12:19,039 --> 01:12:20,774 I KNOW MY LINES, I DO. 1353 01:12:20,807 --> 01:12:22,742 I KNOW THEM. 1354 01:12:22,776 --> 01:12:24,744 CAN I START AGAIN? 1355 01:12:24,778 --> 01:12:25,945 ONE MORE TIME. 1356 01:12:31,785 --> 01:12:33,753 SHE'S SERIOUS, ZACH. 1357 01:12:33,787 --> 01:12:35,455 SHE'S GOING TO MAKE ME GO TO COLORADO. 1358 01:12:35,488 --> 01:12:36,990 SHE'S SERIOUS, ZACH! 1359 01:12:37,023 --> 01:12:38,658 SHE'S GOING-- SHE WANTS ME-- 1360 01:12:38,692 --> 01:12:40,660 SHE'S GOING TO MAKE US-- 1361 01:12:40,694 --> 01:12:42,696 FUCK. 1362 01:12:42,729 --> 01:12:43,963 FUCK! 1363 01:12:43,997 --> 01:12:46,199 SORRY. 1364 01:12:46,232 --> 01:12:47,867 [PANTING] 1365 01:12:47,901 --> 01:12:48,902 SORRY. 1366 01:12:48,935 --> 01:12:50,804 UHH... 1367 01:12:53,039 --> 01:12:57,610 GOD, I'M TRYING NOT TO APOLOGIZE ALL THE TIME BECAUSE IT'S WEAK... 1368 01:12:57,644 --> 01:12:59,879 UM, I SHOULD THOUGH IN THIS CASE. 1369 01:12:59,913 --> 01:13:01,514 SO I'M SORRY. 1370 01:13:01,548 --> 01:13:02,916 I... 1371 01:13:02,949 --> 01:13:04,651 IT'S JUST... 1372 01:13:04,684 --> 01:13:06,920 UM... 1373 01:13:06,953 --> 01:13:10,423 I CAN'T FOCUS. 1374 01:13:12,025 --> 01:13:13,626 IT'S JUST... 1375 01:13:13,660 --> 01:13:16,896 LOOK, MY MOM'S IN A COMA. 1376 01:13:16,930 --> 01:13:18,698 AND THEY DON'T KNOW IF SHE'S GONNA WAKE UP. 1377 01:13:18,732 --> 01:13:20,533 AND I... 1378 01:13:22,969 --> 01:13:24,738 SHE'S LIKE THE STRONGEST WOMAN I KNOW. 1379 01:13:24,771 --> 01:13:28,041 AND I... 1380 01:13:28,074 --> 01:13:32,846 JUST NEED HER TO WAKE UP BECAUSE SHE HAS TO. 1381 01:13:32,879 --> 01:13:34,581 WHY DON'T YOU COME BACK? 1382 01:13:34,614 --> 01:13:37,917 NO. NO, NO. I CAN DO THIS. 1383 01:13:37,951 --> 01:13:39,986 I'M GONNA DO THIS. 1384 01:13:40,020 --> 01:13:41,955 BECAUSE OTHERWISE EVERYTHING ELSE I'VE DONE IS FOR NOTHING. 1385 01:13:41,988 --> 01:13:44,691 SO... 1386 01:13:44,724 --> 01:13:46,760 I JUST AM... 1387 01:13:46,793 --> 01:13:49,896 I FEEL LIKE I'M GONNA BE SICK FOR A SECOND. 1388 01:13:49,929 --> 01:13:52,065 [PANTING] 1389 01:13:52,098 --> 01:13:53,800 FUCK. 1390 01:13:53,833 --> 01:13:56,503 [CRIES] FUCK. 1391 01:13:56,536 --> 01:13:58,571 [SOBBING] 1392 01:13:58,605 --> 01:14:01,708 SHE'S MY MOM, AND I RUN. 1393 01:14:01,741 --> 01:14:05,645 [SOBBING] 1394 01:14:38,645 --> 01:14:40,947 SHE'S SERIOUS, ZACH. 1395 01:14:47,354 --> 01:14:51,624 SHE'S GOING TO MAKE ME GO TO COLORADO. 1396 01:14:51,658 --> 01:14:53,660 SHE THINKS IT'LL HELP WITH OUR RELATIONSHIP. 1397 01:14:57,597 --> 01:15:00,767 BUT IF WE GET MARRIED, THEN I WON'T HAVE TO GO. 1398 01:15:03,870 --> 01:15:07,173 UNLESS YOU WANT TO LOSE ME. 1399 01:15:07,207 --> 01:15:09,776 ZACH, SAY SOMETHING. 1400 01:15:09,809 --> 01:15:12,979 I THINK YOU SHOULD GO LIVE WITH YOUR MOM. 1401 01:15:13,013 --> 01:15:16,016 SHE WAS JUST TRYING TO GET CLOSER TO YOU. 1402 01:15:16,049 --> 01:15:18,184 WHY ARE YOU DEFENDING HER? 1403 01:15:18,218 --> 01:15:20,687 I'M NOT. 1404 01:15:20,720 --> 01:15:22,589 I JUST THINK YOU'LL REGRET THIS. 1405 01:15:25,859 --> 01:15:27,727 I JUST THOUGHT YOU WANTED TO BE WITH ME. 1406 01:15:31,064 --> 01:15:34,668 I'M GONNA LEAVE SO YOU CAN THINK ABOUT THIS. 1407 01:15:34,701 --> 01:15:36,703 WAIT, ZACH. 1408 01:15:39,239 --> 01:15:40,907 EVERYTHING'S SLIPPING AWAY. 1409 01:15:44,244 --> 01:15:47,013 I CAN'T HOLD ON TO ANYTHING. 1410 01:15:47,047 --> 01:15:49,716 YOU'RE THE ONE THING IN MY LIFE 1411 01:15:49,749 --> 01:15:51,584 THAT IS GOOD. 1412 01:16:06,733 --> 01:16:08,635 THANK YOU FOR SEEING ME. 1413 01:16:11,705 --> 01:16:13,673 UM... 1414 01:16:13,707 --> 01:16:16,876 I WAS THE ONE THAT DECORATED YOUR ROOM. 1415 01:16:16,910 --> 01:16:18,945 I'M SORRY THAT I TRESPASSED. 1416 01:16:28,121 --> 01:16:32,025 I ALSO SPILLED WINE IN THE LIVING ROOM. 1417 01:16:32,058 --> 01:16:34,194 AND THEN I MOVED SOME FURNITURE TO COVER IT. 1418 01:16:41,768 --> 01:16:42,969 WOW. 1419 01:17:04,157 --> 01:17:05,959 MOM, I'M SUPPORTING YOU. 1420 01:17:05,992 --> 01:17:07,127 YOU'RE SUPPORTING CAST. 1421 01:17:07,160 --> 01:17:08,728 ALWAYS SUPPORTING YOU. 1422 01:17:08,762 --> 01:17:09,863 OKAY. 1423 01:17:09,896 --> 01:17:11,865 GET THAT TORN CORNER, FIRST. 1424 01:17:11,898 --> 01:17:14,067 NEVER PINCH. 1425 01:17:14,100 --> 01:17:17,771 IT GOT A LITTLE WRINKLY. 1426 01:17:17,804 --> 01:17:19,139 MOM, IT MATCHES PERFECTLY. 1427 01:17:19,172 --> 01:17:20,774 DOES IT? 1428 01:17:20,807 --> 01:17:22,942 MOM, IT'S GOOD. 1429 01:17:22,976 --> 01:17:24,277 WE DID IT. 1430 01:17:24,310 --> 01:17:26,880 [LAUGHS] 1431 01:17:45,899 --> 01:17:47,100 HI. 1432 01:17:50,770 --> 01:17:52,939 SO I WENT TO THE HOSPITAL FIRST, 1433 01:17:52,972 --> 01:17:56,242 FIGURING YOU MIGHT BE THERE. 1434 01:17:56,276 --> 01:17:58,011 AND I RAN INTO LIZ AND SHERRY 1435 01:17:58,044 --> 01:18:00,880 AND THEY'RE FREAKING OUT. 1436 01:18:00,914 --> 01:18:02,716 SAID YOU HADN'T VISITED YOUR MOM YET. 1437 01:18:06,986 --> 01:18:09,856 YOU GOTTA DEAL WITH IT. 1438 01:18:09,889 --> 01:18:12,992 YOU GOTTA GO VISIT HER. 1439 01:18:23,069 --> 01:18:24,938 YOU CAN WEAR IT WHEN YOU-- IT'S LIKE YOU CAN-- 1440 01:18:24,971 --> 01:18:26,072 I CAN TEACH YOU HOW TO DO IT. 1441 01:18:26,106 --> 01:18:28,108 AND YOU CAN DO IT WHEN YOU PAINT. 1442 01:18:28,141 --> 01:18:30,243 -OH REALLY? -YEAH, BECAUSE YOU CAN JUST DO IT REALLY QUICKLY 1443 01:18:30,276 --> 01:18:32,879 -AND THEN... -JUST KEEPS IT UP AND OUT OF THE WAY. 1444 01:18:32,912 --> 01:18:34,080 YEAH. 1445 01:18:42,589 --> 01:18:44,991 [PHONE BUZZES] 1446 01:18:45,025 --> 01:18:46,993 [MUTTERS] 1447 01:18:49,162 --> 01:18:50,363 HELLO? 1448 01:18:53,366 --> 01:18:56,036 HI, KYRA. 1449 01:18:56,069 --> 01:18:57,871 UM... 1450 01:18:57,904 --> 01:19:02,075 HMM? 1451 01:19:02,108 --> 01:19:04,110 UH, WHAT? 1452 01:19:07,213 --> 01:19:08,948 YOU'RE-- THEY WHAT? 1453 01:19:12,886 --> 01:19:14,854 YOU'RE-- WAIT, WHAT? 1454 01:19:17,090 --> 01:19:19,893 UH-HUH... 1455 01:19:19,926 --> 01:19:24,030 UH-HUH. 1456 01:19:24,064 --> 01:19:27,867 UH, TOMORROW. OKAY. YEAH, SURE. 1457 01:19:27,901 --> 01:19:29,269 NO, I'M-- 1458 01:19:29,302 --> 01:19:31,137 YES. I'M SURE. 1459 01:19:35,208 --> 01:19:37,410 THANK YOU. 1460 01:19:37,444 --> 01:19:40,080 YEAH, THANK YOU SO MUCH. BYE. 1461 01:19:40,113 --> 01:19:41,848 [PANTING] 1462 01:19:44,984 --> 01:19:47,954 I GOT THE PART. 1463 01:19:47,987 --> 01:19:50,890 I'M GONNA BE A LEAD IN A MOVIE. 1464 01:20:46,312 --> 01:20:47,514 BEVERLY JENSON. 1465 01:20:47,547 --> 01:20:49,382 ROOM 205. 1466 01:21:20,447 --> 01:21:22,048 HI, MAMA. 1467 01:21:34,461 --> 01:21:37,163 I GOT A PART IN A FILM. 1468 01:21:40,600 --> 01:21:44,004 WE'RE FILMING IN THE NEXT FOUR MONTHS IN LONDON. 1469 01:21:51,344 --> 01:21:53,146 I'M THE LEAD. 1470 01:22:04,290 --> 01:22:06,192 [SOBBING] 1471 01:22:11,331 --> 01:22:13,199 THEY SAY IT'S A PRETTY DEMANDING SCHEDULE, 1472 01:22:13,233 --> 01:22:16,236 BUT I'M GONNA COME BACK AS OFTEN AS I CAN, OKAY? 1473 01:22:25,512 --> 01:22:28,114 [CRYING] 1474 01:22:36,423 --> 01:22:39,159 ALL RIGHT, FOLKS. HERE WE ARE. TERMINAL THREE. 1475 01:22:39,192 --> 01:22:41,261 UH. 1476 01:22:48,401 --> 01:22:49,402 YOU OKAY? 1477 01:22:49,436 --> 01:22:51,204 YEAH, UM... 1478 01:23:01,081 --> 01:23:03,316 UM... 1479 01:23:03,350 --> 01:23:07,053 I CAN'T GO. 1480 01:23:08,555 --> 01:23:12,592 I WANT TO STAY HERE WITH ME MOM. 1481 01:23:14,427 --> 01:23:16,396 REALLY? 1482 01:23:16,429 --> 01:23:18,298 YEAH. 1483 01:23:22,402 --> 01:23:24,571 ARE YOU SURE ABOUT THIS? 1484 01:23:24,604 --> 01:23:26,406 YEAH. 1485 01:23:29,442 --> 01:23:32,278 OKAY. 1486 01:23:37,550 --> 01:23:39,252 WELL... 1487 01:23:39,285 --> 01:23:41,087 GOOD LUCK. 1488 01:23:42,889 --> 01:23:44,457 THANKS. 1489 01:23:53,433 --> 01:23:55,201 [WHISPERS] MOM. 1490 01:23:56,336 --> 01:23:59,439 I'M NOT GOING ANYWHERE. 1491 01:24:10,350 --> 01:24:12,652 LOOK, I TALKED TO KYRA. 1492 01:24:16,222 --> 01:24:18,692 SHE LIKES YOU. 1493 01:24:18,725 --> 01:24:22,362 SHE UNDERSTANDS. 1494 01:24:24,164 --> 01:24:25,398 SHE SHOWED ME YOUR TAPE. 1495 01:24:29,235 --> 01:24:30,603 I... 1496 01:24:30,637 --> 01:24:33,206 I THOUGHT IT WAS INCREDIBLE ACTUALLY. 1497 01:24:37,410 --> 01:24:38,611 THANK YOU. 1498 01:24:42,315 --> 01:24:44,484 I LOST MY MOM TO CANCER LAST YEAR. 1499 01:24:44,517 --> 01:24:46,286 I GET IT. 1500 01:24:51,224 --> 01:24:53,226 IS THAT WHY YOU WANTED TO SEE ME? 1501 01:24:56,262 --> 01:24:57,564 I WANTED TO SEE YOU 1502 01:24:57,597 --> 01:24:59,666 BECAUSE I'D LIKE TO REPRESENT YOU. 1503 01:25:04,237 --> 01:25:07,607 I COULD FAIL MY NEXT AUDITION. 1504 01:25:07,640 --> 01:25:09,409 THAT'S GREAT. 1505 01:25:10,443 --> 01:25:12,779 WHY IS THAT GREAT? 1506 01:25:12,812 --> 01:25:15,348 WELL, BECAUSE YOU COULDN'T BEFORE. 1507 01:25:18,585 --> 01:25:21,254 ALL OF THESE PROJECTS ARE SHOOTING HERE IN LA. 1508 01:25:21,287 --> 01:25:25,191 AND WON'T TAKE YOU AWAY FROM YOU MOM. 1509 01:25:25,225 --> 01:25:27,727 LET ME KNOW IF YOU RESPOND TO ANY OF THEM. 1510 01:25:32,265 --> 01:25:34,267 THANK YOU. 1511 01:25:34,300 --> 01:25:37,404 SO... GET THE HELL OUT OF MY OFFICE, WOULD YA? 1512 01:25:37,437 --> 01:25:39,172 [GIGGLES] 1513 01:25:47,714 --> 01:25:50,583 I WROTE THIS POEM. 1514 01:25:50,617 --> 01:25:54,421 I MAY NOT BE WORTHY, BUT AT LEAST I AM ALIVE. 1515 01:25:54,454 --> 01:25:56,456 AND SHE MAY NEVER WAKE UP. 1516 01:25:56,489 --> 01:25:59,559 BUT AT LEAST I HAVE TRIED. 1517 01:25:59,592 --> 01:26:01,361 AND IF SHE DOESN'T WAKE UP 1518 01:26:01,394 --> 01:26:03,630 BY THEN I'LL HAVE DIED. 1519 01:26:03,663 --> 01:26:05,699 BUT FOR NOW I MIGHT BE WORTHY. 1520 01:26:05,732 --> 01:26:08,234 AND FOR NOW I AM ALIVE. 1521 01:26:11,471 --> 01:26:15,475 * OH, I DON'T WEAR A CROWN THAT YOU CAN SEE * 1522 01:26:16,643 --> 01:26:18,578 * AND THE ONLY GOWN I OWN 1523 01:26:18,611 --> 01:26:21,848 * MY MAMA MADE WHEN I WAS 17 * 1524 01:26:21,881 --> 01:26:24,384 * NO, I SIMPER WITHIN MY FEET * 1525 01:26:24,417 --> 01:26:27,354 * BUT I GO BAREFOOT ANYWAY 1526 01:26:29,756 --> 01:26:32,525 * AND MY HORSE DON'T HAVE A CARRIAGE * 1527 01:26:32,559 --> 01:26:35,762 * BUT OH HE'S STRONG AND BRAVE * 1528 01:26:35,795 --> 01:26:37,697 * SO YOU MIGHT LOOK AT ME * 1529 01:26:37,731 --> 01:26:41,735 * AND NOT THINK MUCH AT ALL * 1530 01:26:41,768 --> 01:26:44,404 * AND YOU MIGHT THINK THAT CASTLES * 1531 01:26:44,437 --> 01:26:46,639 * ONLY COME BIG AND TALL * 1532 01:26:46,673 --> 01:26:48,742 * YOU MIGHT DISAGREE WITH MY MAMA * 1533 01:26:48,775 --> 01:26:52,245 * BUT WE HAVE ALL WE COULD EVER WANT * 1534 01:26:54,714 --> 01:26:57,484 * AND YOU MIGHT LAUGH BUT I DARE THINK * 1535 01:26:57,517 --> 01:27:00,620 * THESE HIGH AND MIGHTY THOUGHTS * 1536 01:27:00,653 --> 01:27:03,823 * BUT WHEN I WALK THROUGH MY KINGDOM * 1537 01:27:03,857 --> 01:27:06,626 * ALL THE GRASSES BOW 1538 01:27:06,659 --> 01:27:08,828 * THE BIRDS ANNOUNCE MY ARRIVAL * 1539 01:27:08,862 --> 01:27:12,465 * AND WHEN I LEAVE THE COYOTES HOWL * 1540 01:27:14,467 --> 01:27:16,870 * I WAVE AT MY LOYAL TREES * 1541 01:27:16,903 --> 01:27:20,707 * AND THEY WAVE BACK WITH A BREEZE * 1542 01:27:20,740 --> 01:27:25,578 * AND SOME DAYS IT SEEMS THE SUNSHINE'S JUST FOR ME * 1543 01:27:25,612 --> 01:27:27,313 * NO ONE ELSE KNOWS 1544 01:27:27,347 --> 01:27:30,316 * BUT I'M A PRINCESS OF THIS PRAIRIE * 1545 01:27:35,488 --> 01:27:37,691 * DADDY WORKED SO HARD 1546 01:27:37,724 --> 01:27:40,560 * AND NEVER DID EARN MUCH * 1547 01:27:40,593 --> 01:27:42,796 * BUT WHEN HE CAME HOME AT NIGHT * 1548 01:27:42,829 --> 01:27:46,533 * HE RULED HIS HOUSE WITH LOVE * 1549 01:27:46,566 --> 01:27:49,669 * HE AND MAMA SAID THERE WAS NOTHING * 1550 01:27:49,703 --> 01:27:51,905 * THAT I COULDN'T DO 1551 01:27:55,141 --> 01:27:57,410 * WITH ONE SMILE 1552 01:27:57,444 --> 01:28:00,747 * I COULD CHANGE THE ENTIRE WORLD * 1553 01:28:00,780 --> 01:28:03,950 * BUT WHEN I WALK THROUGH MY KINGDOM * 1554 01:28:03,983 --> 01:28:06,586 * ALL THE GRASSES BOW 1555 01:28:06,619 --> 01:28:08,688 * THE BIRDS ANNOUNCE MY ARRIVAL * 1556 01:28:08,722 --> 01:28:12,726 * AND WHEN I LEAVE THE COYOTES HOWL * 1557 01:28:13,993 --> 01:28:16,730 * I WAVE AT MY LOYAL TREES * 1558 01:28:16,763 --> 01:28:20,567 * AND THEY WAVE BACK WITH A BREEZE * 1559 01:28:20,600 --> 01:28:25,438 * AND TO ME MY MAMA AND DADDY ARE ROYALTY * 1560 01:28:25,472 --> 01:28:26,840 * NO ONE ELSE KNOWS 1561 01:28:26,873 --> 01:28:29,843 * BUT I'M A PRINCESS OF THIS PRAIRIE * 1562 01:28:33,813 --> 01:28:35,415 * I'M TELLING YOU 1563 01:28:35,448 --> 01:28:38,385 * KINGS AND QUEENS... 1564 01:28:38,418 --> 01:28:42,589 * DEAR LITTLE FIREFLY, CAN I CAPTURE YOU? * 1565 01:28:42,622 --> 01:28:45,592 * COME TAKE A SEAT IN MY MASON JAR * 1566 01:28:45,625 --> 01:28:47,827 * I WANNA RAP TO YOU 1567 01:28:47,861 --> 01:28:51,598 * TONIGHT I AM YOUR RAGING GOD * 1568 01:28:51,631 --> 01:28:53,433 * IN THE BACKYARD OF A BOUGH * 1569 01:28:53,466 --> 01:28:56,970 * WHERE CRICKET SPIRITS CHARM THE DARK * 1570 01:28:57,003 --> 01:29:00,807 * I'M MULLING OVER THE MYTH OF A MAN * 1571 01:29:00,840 --> 01:29:02,676 * IN THE MIDDLE OF MY MIND 1572 01:29:02,709 --> 01:29:06,179 * HUMAN SIRENS MADE OF LONGING LIGHT * 1573 01:29:06,212 --> 01:29:08,415 * WE TOSS OUR GRINS 1574 01:29:08,448 --> 01:29:10,784 * TOWARDS THE CORNER OF OUR EYES * 1575 01:29:10,817 --> 01:29:12,686 * GATHERED IN A KISS 1576 01:29:12,719 --> 01:29:16,489 * A MORSEL OF FIRE 1577 01:29:16,523 --> 01:29:18,658 * I WANT YOU 1578 01:29:18,692 --> 01:29:20,994 * SO BE BRAVE 1579 01:29:21,027 --> 01:29:23,596 * THE HEART IS WILD 1580 01:29:23,630 --> 01:29:25,899 * LET'S NOT BEHAVE 1581 01:29:25,932 --> 01:29:28,468 * I WANT YOU 1582 01:29:28,501 --> 01:29:30,770 * SO BE BRAVE 1583 01:29:30,804 --> 01:29:33,039 * THE HEART IS WILD 1584 01:29:33,073 --> 01:29:34,774 * LET'S NOT BEHAVE 1585 01:29:44,684 --> 01:29:48,588 * BURNING SHELTERS MADE OF SKIN * 1586 01:29:48,621 --> 01:29:51,658 * YOUR MOAN IS A MEMORIZED POEM * 1587 01:29:51,691 --> 01:29:53,960 * FLOWING FROM THE HEART 1588 01:29:53,993 --> 01:29:58,665 * A RIVER OF BLUE VIOLET FLAME * 1589 01:29:58,698 --> 01:30:00,767 * I'M DRIBBLING LOVE 1590 01:30:00,800 --> 01:30:02,702 * I'M TREMBLING DRUNK 1591 01:30:04,504 --> 01:30:06,673 * I WANT YOU 1592 01:30:06,706 --> 01:30:08,975 * SO BE BRAVE 1593 01:30:09,009 --> 01:30:11,578 * THE HEART IS WILD 1594 01:30:11,611 --> 01:30:13,847 * LET'S NOT BEHAVE 1595 01:30:13,880 --> 01:30:16,049 * I WANT YOU 1596 01:30:16,082 --> 01:30:18,718 * SO BE BRAVE 1597 01:30:18,752 --> 01:30:20,954 * THE HEART IS WILD 1598 01:30:20,987 --> 01:30:22,722 * LET'S NOT BEHAVE 1599 01:30:27,994 --> 01:30:30,563 * WELCOME TO OUR PAST LIVES * 1600 01:30:30,597 --> 01:30:32,065 * NEVER REALIZED 1601 01:30:37,737 --> 01:30:40,674 * WELCOME TO OUR PAST LIVES * 1602 01:30:40,707 --> 01:30:42,842 * NEVER REALIZED 1603 01:30:42,876 --> 01:30:45,011 * I WANT YOU 1604 01:30:45,045 --> 01:30:47,714 * SO BE BRAVE 1605 01:30:47,747 --> 01:30:49,949 * THE HEART IS WILD 1606 01:30:49,983 --> 01:30:52,285 * LET'S NOT BEHAVE 1607 01:30:52,318 --> 01:30:54,688 * I WANT YOU 1608 01:30:54,721 --> 01:30:56,990 * SO BE BRAVE 1609 01:30:57,023 --> 01:30:59,592 * THE HEART IS WILD 1610 01:30:59,626 --> 01:31:01,995 * LET'S NOT BEHAVE 1611 01:31:02,028 --> 01:31:06,599 * DEAR LITTLE FIREFLY CAN I CAPTURE YOU? * 1612 01:31:06,633 --> 01:31:09,936 * COME TAKE A SEAT IN MY MASON JAR * 1613 01:31:09,969 --> 01:31:12,706 * I WANNA RAP TO YOU.